World Entertainment Media
Global, Regional and Local Perspectives
Herausgeber: Sigismondi, Paolo
World Entertainment Media
Global, Regional and Local Perspectives
Herausgeber: Sigismondi, Paolo
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This new book offers an insightful guide into the complex tapestry of global entertainment media markets. It features analyses and case studies from leading international media scholars, who explore the causes and effects of globalization upon this ever-evolving industries.
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This new book offers an insightful guide into the complex tapestry of global entertainment media markets. It features analyses and case studies from leading international media scholars, who explore the causes and effects of globalization upon this ever-evolving industries.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 230
- Erscheinungstermin: 12. August 2019
- Englisch
- Abmessung: 260mm x 183mm x 17mm
- Gewicht: 638g
- ISBN-13: 9781138094017
- ISBN-10: 1138094013
- Artikelnr.: 57498304
- Verlag: Routledge
- Seitenzahl: 230
- Erscheinungstermin: 12. August 2019
- Englisch
- Abmessung: 260mm x 183mm x 17mm
- Gewicht: 638g
- ISBN-13: 9781138094017
- ISBN-10: 1138094013
- Artikelnr.: 57498304
Paolo Sigismondi, MBA, PhD, is a Clinical Associate Professor at the Annenberg School for Communication and Journalism of the University of Southern California. He has a background as a global media executive, and his research has been presented at international conferences and published in leading academic journals, including Communication Theory and the International Journal of Communication. He is the author of the book The Digital Glocalization of Entertainment: New Paradigms in the 21st Century Global Mediascape and the translator of its Italian edition La Glocalizzazione Digitale dell'Audiovisivo: Nuovi Paradigmi nel Panorama Mondiale.
1. Introduction Part 1: The Americas> 2. Canadian TV Goes Global: Within
and Beyond Cultural Imperialism 3. U.S. Entertainment Media: Expansion
across Platforms, Industries and Borders 4. Mexico: A Historically
Asymmetrical Media Context 5. Subjective Camera, Direct Address, and
Audience Participation: Velho Chico and a New Brazilian Telenovela
Aesthetics Part 2: EMEA (Europe, Middle East, Africa) 6. Media Policy in
the European Union: A Synoptic Overview of the Legislative Framework and a
Critical Review of Some Current Issues 7. The Entertainment Landscape of
the United Kingdom: Exploring British Television, Radio, and Film 8.
Entertainment Industries in France 9. German Entertainment Media Industry:
Characteristics and Market Break Down 10. From Bootlegging Hollywood to
Streaming Battle Rap: The Transformation of the Russian Entertainment
Industry 11. Entertainment Industry in Spain 12. Entertainment: The Golden
Resource of Italian Cultural and Media Industries 13. Turkey in Global
Entertainment: From the Harem to the Battlefield 14. Entertainment Media
Industry in Egypt: Overview, Challenges and Future Performance 15.
Nollywood: Prisms and Paradigms 16. Entertaining the Nation: Incentivizing
the Indigenization of Soap Opera in South Africa Part 3: Asia and Oceania
17. Media Culture Globalization and/in Japan 18. China's Entertainment
Industry 19. Beyond Hallyu: Innovation, Social Critique, and
Experimentation in South Korean Cinema and Television 20. The Marketization
of Bollywood 21. Australian Entertainment Industries 22. Conclusion: A
Snapshot and a Springboard for the Exploration of World Entertainment Media
and Beyond Cultural Imperialism 3. U.S. Entertainment Media: Expansion
across Platforms, Industries and Borders 4. Mexico: A Historically
Asymmetrical Media Context 5. Subjective Camera, Direct Address, and
Audience Participation: Velho Chico and a New Brazilian Telenovela
Aesthetics Part 2: EMEA (Europe, Middle East, Africa) 6. Media Policy in
the European Union: A Synoptic Overview of the Legislative Framework and a
Critical Review of Some Current Issues 7. The Entertainment Landscape of
the United Kingdom: Exploring British Television, Radio, and Film 8.
Entertainment Industries in France 9. German Entertainment Media Industry:
Characteristics and Market Break Down 10. From Bootlegging Hollywood to
Streaming Battle Rap: The Transformation of the Russian Entertainment
Industry 11. Entertainment Industry in Spain 12. Entertainment: The Golden
Resource of Italian Cultural and Media Industries 13. Turkey in Global
Entertainment: From the Harem to the Battlefield 14. Entertainment Media
Industry in Egypt: Overview, Challenges and Future Performance 15.
Nollywood: Prisms and Paradigms 16. Entertaining the Nation: Incentivizing
the Indigenization of Soap Opera in South Africa Part 3: Asia and Oceania
17. Media Culture Globalization and/in Japan 18. China's Entertainment
Industry 19. Beyond Hallyu: Innovation, Social Critique, and
Experimentation in South Korean Cinema and Television 20. The Marketization
of Bollywood 21. Australian Entertainment Industries 22. Conclusion: A
Snapshot and a Springboard for the Exploration of World Entertainment Media
1. Introduction Part 1: The Americas> 2. Canadian TV Goes Global: Within
and Beyond Cultural Imperialism 3. U.S. Entertainment Media: Expansion
across Platforms, Industries and Borders 4. Mexico: A Historically
Asymmetrical Media Context 5. Subjective Camera, Direct Address, and
Audience Participation: Velho Chico and a New Brazilian Telenovela
Aesthetics Part 2: EMEA (Europe, Middle East, Africa) 6. Media Policy in
the European Union: A Synoptic Overview of the Legislative Framework and a
Critical Review of Some Current Issues 7. The Entertainment Landscape of
the United Kingdom: Exploring British Television, Radio, and Film 8.
Entertainment Industries in France 9. German Entertainment Media Industry:
Characteristics and Market Break Down 10. From Bootlegging Hollywood to
Streaming Battle Rap: The Transformation of the Russian Entertainment
Industry 11. Entertainment Industry in Spain 12. Entertainment: The Golden
Resource of Italian Cultural and Media Industries 13. Turkey in Global
Entertainment: From the Harem to the Battlefield 14. Entertainment Media
Industry in Egypt: Overview, Challenges and Future Performance 15.
Nollywood: Prisms and Paradigms 16. Entertaining the Nation: Incentivizing
the Indigenization of Soap Opera in South Africa Part 3: Asia and Oceania
17. Media Culture Globalization and/in Japan 18. China's Entertainment
Industry 19. Beyond Hallyu: Innovation, Social Critique, and
Experimentation in South Korean Cinema and Television 20. The Marketization
of Bollywood 21. Australian Entertainment Industries 22. Conclusion: A
Snapshot and a Springboard for the Exploration of World Entertainment Media
and Beyond Cultural Imperialism 3. U.S. Entertainment Media: Expansion
across Platforms, Industries and Borders 4. Mexico: A Historically
Asymmetrical Media Context 5. Subjective Camera, Direct Address, and
Audience Participation: Velho Chico and a New Brazilian Telenovela
Aesthetics Part 2: EMEA (Europe, Middle East, Africa) 6. Media Policy in
the European Union: A Synoptic Overview of the Legislative Framework and a
Critical Review of Some Current Issues 7. The Entertainment Landscape of
the United Kingdom: Exploring British Television, Radio, and Film 8.
Entertainment Industries in France 9. German Entertainment Media Industry:
Characteristics and Market Break Down 10. From Bootlegging Hollywood to
Streaming Battle Rap: The Transformation of the Russian Entertainment
Industry 11. Entertainment Industry in Spain 12. Entertainment: The Golden
Resource of Italian Cultural and Media Industries 13. Turkey in Global
Entertainment: From the Harem to the Battlefield 14. Entertainment Media
Industry in Egypt: Overview, Challenges and Future Performance 15.
Nollywood: Prisms and Paradigms 16. Entertaining the Nation: Incentivizing
the Indigenization of Soap Opera in South Africa Part 3: Asia and Oceania
17. Media Culture Globalization and/in Japan 18. China's Entertainment
Industry 19. Beyond Hallyu: Innovation, Social Critique, and
Experimentation in South Korean Cinema and Television 20. The Marketization
of Bollywood 21. Australian Entertainment Industries 22. Conclusion: A
Snapshot and a Springboard for the Exploration of World Entertainment Media