World Film Locations - Block, Marcelline
49,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 1-2 Wochen
payback
25 °P sammeln
  • Broschiertes Buch

World Film Locations: Paris takes readers on an unforgettable tour of the City of Lights past and present through the many films that have been set there. Along the way, we revisit iconic tourist sites from the Eiffel Tower - whose stairs and crossbars inspired more than one famous chase scene - to the Moulin Rouge overlooking the famously seedy Place Pigalle. Other films explore lesser-known quarters usually tucked away from the tourist's admiring gaze. Handsomely illustrated with full-colour film stills and contemporary photographs, more than fifty scenes are individually considered with…mehr

Andere Kunden interessierten sich auch für
Produktbeschreibung
World Film Locations: Paris takes readers on an unforgettable tour of the City of Lights past and present through the many films that have been set there. Along the way, we revisit iconic tourist sites from the Eiffel Tower - whose stairs and crossbars inspired more than one famous chase scene - to the Moulin Rouge overlooking the famously seedy Place Pigalle. Other films explore lesser-known quarters usually tucked away from the tourist's admiring gaze. Handsomely illustrated with full-colour film stills and contemporary photographs, more than fifty scenes are individually considered with special attention to their use of Paris's topography as it intersects with characters, narrative and plot. A host of important genres and cinematic movements are featured, including poetic realism, the New Wave, cinéma-verité, the literary works of the Left Bank Group, and Luc Besson's slickly stylised cinéma du look. Meanwhile, essays foreground contributions from Francophone African directors and émigré filmmakers.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Marcelline Block is a lecturer in history at Princeton University, where she is completing her PhD in French. She is the editor or coeditor of several volumes, including Situating the Feminist Gaze and Spectatorship in Postwar Cinema.