Examining the experiences of musicians, industry personnel, and audiences, World Music and the Black Atlantic offers a nuanced view of a global industry informed and marked by diverse transnational perspectives and histories of transatlantic exchange.
Examining the experiences of musicians, industry personnel, and audiences, World Music and the Black Atlantic offers a nuanced view of a global industry informed and marked by diverse transnational perspectives and histories of transatlantic exchange.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Aleysia K. Whitmore is an Assistant Professor of Ethnomusicology at the Lamont School of Music, University of Denver. Her research focuses on the world music industry, globalization, and cultural policy. She has published articles in Ethnomusicology and MusiCultures, and she has taught popular music, world music, and classical music courses at Brown University, Boston College, the University of Miami, and the University of Colorado Denver. She holds a BMus from the University of Toronto and AM and PhD degrees in ethnomusicology from Brown University.
Inhaltsangabe
Acknowledgements Introduction Part I Industry Chapter 1 Setting the Scene: The World Music Industry Chapter 2 The Art of Representing the Other Part II Musicians Chapter 3 Cuban Music is African Music: Musicians and their Music Chapter 4 Musicians and the Industry Part III Audiences Chapter 5 Frames Chapter 6 Experiencing Pleasure Postlude Moving forward and looking back: Where are We? Where are We Going? Bibliography
Acknowledgements Introduction Part I Industry Chapter 1 Setting the Scene: The World Music Industry Chapter 2 The Art of Representing the Other Part II Musicians Chapter 3 Cuban Music is African Music: Musicians and their Music Chapter 4 Musicians and the Industry Part III Audiences Chapter 5 Frames Chapter 6 Experiencing Pleasure Postlude Moving forward and looking back: Where are We? Where are We Going? Bibliography
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