This book shows an empowered federal state as a significant factor in experimental American culture well before the 1930s.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mark Whalan is Robert and Eve Horn Professor of English at the University of Oregon. His previous books include American Culture in the 1910s (2010), The Great War and the Culture of the New Negro (2008), and Race, Manhood and Modernism in America: The Short Story Cycles of Sherwood Anderson and Jean Toomer (2007). He has published in American Literary History, Modernism/Modernity, Modern Fiction Studies, the Journal of American Studies, Twentieth-Century Literature, and African American Review, and is co-editor, with Martin Halliwell, of the Modern American Literature and the New Twentieth Century series.
Inhaltsangabe
Acknowledgements Credits Introduction 1. Freeloading in hobohemia: antimodernism, free verse, and the state in American World War One periodical culture 2. Letters from a soldier: wartime letters and states of intimacy 3. The regional novel and the wartime state 4. USA., World War One, and the petromodern state 5. Fictions of rehabilititation Conclusion Notes.
Acknowledgements Credits Introduction 1. Freeloading in hobohemia: antimodernism, free verse, and the state in American World War One periodical culture 2. Letters from a soldier: wartime letters and states of intimacy 3. The regional novel and the wartime state 4. USA., World War One, and the petromodern state 5. Fictions of rehabilititation Conclusion Notes.
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