Thisbook explores what it meant to be both cosmopolitan and Chinese in the second half of the 20th century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Brian Hu is Assistant Professor in Television, Film, and New Media at San Diego State University. He is also the Artistic Director of the San Diego Asian Film Festival.
Inhaltsangabe
Acknowledgements Introduction Chapter 1: Melodramas of Arrival and Departure: jet-set students in 1970s Taiwanese romance Chapter 2: ABCs, Mixed-race Stars, and other Monsters of Globalization Chapter 3: Setting the Stage: Hong Kong musical stars take on the world Chapter 4: All the Right Moves: mobile heroes and the Shaolin Temple film Chapter 5: The Cosmopolitan Brand: film policy as cultural work in the international film market Chapter 6: Conclusion
Acknowledgements Introduction Chapter 1: Melodramas of Arrival and Departure: jet-set students in 1970s Taiwanese romance Chapter 2: ABCs, Mixed-race Stars, and other Monsters of Globalization Chapter 3: Setting the Stage: Hong Kong musical stars take on the world Chapter 4: All the Right Moves: mobile heroes and the Shaolin Temple film Chapter 5: The Cosmopolitan Brand: film policy as cultural work in the international film market Chapter 6: Conclusion
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