Worship Sound Spaces
Architecture, Acoustics and Anthropology
Herausgeber: Guillebaud, Christine; Lavandier, Catherine
Worship Sound Spaces
Architecture, Acoustics and Anthropology
Herausgeber: Guillebaud, Christine; Lavandier, Catherine
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Worship Sound Spaces unites specialists from architecture, acoustic engineering and the social sciences to encourage closer analysis of the sound environments within places of worship.
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Worship Sound Spaces unites specialists from architecture, acoustic engineering and the social sciences to encourage closer analysis of the sound environments within places of worship.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge Research in Architecture
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 252
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 390g
- ISBN-13: 9781032083544
- ISBN-10: 1032083549
- Artikelnr.: 62148947
- Routledge Research in Architecture
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 252
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 390g
- ISBN-13: 9781032083544
- ISBN-10: 1032083549
- Artikelnr.: 62148947
Christine Guillebaud, a social anthropologist and an ethnomusicologist, is a Research Fellow at the French National Centre for Scientific Research (CNRS). She belongs to the Research Centre for Ethnomusicology (CREM-LESC), located at the University of Paris Nanterre. Her academic interests include anthropology of sound, sound studies and the study of urban ambiances. She is currently leading the MILSON research program (milson.fr), dedicated to the study of sound environments in their sociocultural context of production and perception. She has carried out long-term fieldworks in India and edited the volume Toward an Anthropology of Ambient Sound (Routledge, 2017). Previously, she has published numerous articles and edited volumes on musical creation, multimodality, cultural heritage, intellectual property and sound humour. Catherine Lavandier holds a civil engineering diploma and is professor in building acoustics at the civil engineering department of the technological institute in the University of Cergy-Pontoise, France. Her academic interests include room acoustic quality with a psychophysical approach (her PhD focused on the acoustic indicators needed to characterize the acoustic quality of concert halls) and soundscape quality with an ecological approach. She is regularly involved in French national or European projects whose common aim is to link the physical world of acoustics to the sound perceptions or to the sound representations of people. She participated in the European research network COST TD0804 "Soundscape of European Cities and Landscapes". Currently, she works on the audio-visual interactions for outdoor and indoor environments.
Introduction: Religious Listenings: A multidisciplinary approach Christine
Guillebaud and Catherine Lavandier PART 1. Sonic architecture: Acoustic
intentions in worship buildings 1. Characterizing the acoustics of places
of worship: Should we believe in acoustic indicators? Marc Asselineau 2.
Towards a history of architectural acoustics using archeological evidence:
What recent research on the uses of acoustic pots contributes to
understanding of the quest for sound quality in 11th to 17th century
churches Jean-Christophe Valière and Bénédicte Palazzo-Bertholon 3. Temple
soundspaces and ancient Hindu ritual texts Gérard Colas PART 2.
Experiencing the sacred through sound 4. The worldmaking ways of church
bells: Three stories about the Cathedral Notre-Dame de Paris Gaspard
Salatko 5. What should the reverberation inside a masjid be? A study
exploring the demands of Imams Ahmed Elkhateeb 6. 'Soundwalks in Shiva
temple': A situated approach to perceived ambiance Christine Guillebaud 7.
Bells, auspiciousness and the god of music: Reflections on sound in ritual
space in Nepalese Hindu traditions Astrid Zotter 8. Resonant voices and
spatial politics: An acoustemology of citizenship in a Muslim neighbourhood
of the Kenyan coast Andrew J. Eisenberg PART 3. Restoring the sound
ambiances of the past 9. The church beyond worship: Experiencing monumental
soundspaces in the Roman Catholic churches of Montréal (Québec, Canada)
Josée Laplace 10. Sound heterotopia in a Cistercian monastery Pascal Joanne
11. The original acoustics of the sixteenth-century Mughal heritage of
Burhanpur (India) Amit J. Wahurwagh Akshay P. Patil Alpana R. Dongre
AFTERWORD A world of attunements Jean-Paul Thibaud
Guillebaud and Catherine Lavandier PART 1. Sonic architecture: Acoustic
intentions in worship buildings 1. Characterizing the acoustics of places
of worship: Should we believe in acoustic indicators? Marc Asselineau 2.
Towards a history of architectural acoustics using archeological evidence:
What recent research on the uses of acoustic pots contributes to
understanding of the quest for sound quality in 11th to 17th century
churches Jean-Christophe Valière and Bénédicte Palazzo-Bertholon 3. Temple
soundspaces and ancient Hindu ritual texts Gérard Colas PART 2.
Experiencing the sacred through sound 4. The worldmaking ways of church
bells: Three stories about the Cathedral Notre-Dame de Paris Gaspard
Salatko 5. What should the reverberation inside a masjid be? A study
exploring the demands of Imams Ahmed Elkhateeb 6. 'Soundwalks in Shiva
temple': A situated approach to perceived ambiance Christine Guillebaud 7.
Bells, auspiciousness and the god of music: Reflections on sound in ritual
space in Nepalese Hindu traditions Astrid Zotter 8. Resonant voices and
spatial politics: An acoustemology of citizenship in a Muslim neighbourhood
of the Kenyan coast Andrew J. Eisenberg PART 3. Restoring the sound
ambiances of the past 9. The church beyond worship: Experiencing monumental
soundspaces in the Roman Catholic churches of Montréal (Québec, Canada)
Josée Laplace 10. Sound heterotopia in a Cistercian monastery Pascal Joanne
11. The original acoustics of the sixteenth-century Mughal heritage of
Burhanpur (India) Amit J. Wahurwagh Akshay P. Patil Alpana R. Dongre
AFTERWORD A world of attunements Jean-Paul Thibaud
Introduction: Religious Listenings: A multidisciplinary approach Christine
Guillebaud and Catherine Lavandier PART 1. Sonic architecture: Acoustic
intentions in worship buildings 1. Characterizing the acoustics of places
of worship: Should we believe in acoustic indicators? Marc Asselineau 2.
Towards a history of architectural acoustics using archeological evidence:
What recent research on the uses of acoustic pots contributes to
understanding of the quest for sound quality in 11th to 17th century
churches Jean-Christophe Valière and Bénédicte Palazzo-Bertholon 3. Temple
soundspaces and ancient Hindu ritual texts Gérard Colas PART 2.
Experiencing the sacred through sound 4. The worldmaking ways of church
bells: Three stories about the Cathedral Notre-Dame de Paris Gaspard
Salatko 5. What should the reverberation inside a masjid be? A study
exploring the demands of Imams Ahmed Elkhateeb 6. 'Soundwalks in Shiva
temple': A situated approach to perceived ambiance Christine Guillebaud 7.
Bells, auspiciousness and the god of music: Reflections on sound in ritual
space in Nepalese Hindu traditions Astrid Zotter 8. Resonant voices and
spatial politics: An acoustemology of citizenship in a Muslim neighbourhood
of the Kenyan coast Andrew J. Eisenberg PART 3. Restoring the sound
ambiances of the past 9. The church beyond worship: Experiencing monumental
soundspaces in the Roman Catholic churches of Montréal (Québec, Canada)
Josée Laplace 10. Sound heterotopia in a Cistercian monastery Pascal Joanne
11. The original acoustics of the sixteenth-century Mughal heritage of
Burhanpur (India) Amit J. Wahurwagh Akshay P. Patil Alpana R. Dongre
AFTERWORD A world of attunements Jean-Paul Thibaud
Guillebaud and Catherine Lavandier PART 1. Sonic architecture: Acoustic
intentions in worship buildings 1. Characterizing the acoustics of places
of worship: Should we believe in acoustic indicators? Marc Asselineau 2.
Towards a history of architectural acoustics using archeological evidence:
What recent research on the uses of acoustic pots contributes to
understanding of the quest for sound quality in 11th to 17th century
churches Jean-Christophe Valière and Bénédicte Palazzo-Bertholon 3. Temple
soundspaces and ancient Hindu ritual texts Gérard Colas PART 2.
Experiencing the sacred through sound 4. The worldmaking ways of church
bells: Three stories about the Cathedral Notre-Dame de Paris Gaspard
Salatko 5. What should the reverberation inside a masjid be? A study
exploring the demands of Imams Ahmed Elkhateeb 6. 'Soundwalks in Shiva
temple': A situated approach to perceived ambiance Christine Guillebaud 7.
Bells, auspiciousness and the god of music: Reflections on sound in ritual
space in Nepalese Hindu traditions Astrid Zotter 8. Resonant voices and
spatial politics: An acoustemology of citizenship in a Muslim neighbourhood
of the Kenyan coast Andrew J. Eisenberg PART 3. Restoring the sound
ambiances of the past 9. The church beyond worship: Experiencing monumental
soundspaces in the Roman Catholic churches of Montréal (Québec, Canada)
Josée Laplace 10. Sound heterotopia in a Cistercian monastery Pascal Joanne
11. The original acoustics of the sixteenth-century Mughal heritage of
Burhanpur (India) Amit J. Wahurwagh Akshay P. Patil Alpana R. Dongre
AFTERWORD A world of attunements Jean-Paul Thibaud