In Writers, great American storyteller Barry Gifford paints portraits of famous writers caught in imaginary vulnerable moments in their lives. In prose that is funny, grotesque, and a touch brutal, Gifford shows these writers at their most human, which is to say at their worst: they are liars, frauds, lousy lovers, and drunks. This is a world in which Ernest Hemingway drunkenly sets explosive trip wires outside his home in Cuba, Marcel Proust implores the angel of death as a delirious Arthur Rimbaud lies dying in a hospital bed, and Albert Camus converses with a young prostitute while staring at himself in the mirror of a New York City hotel room.
In Gifford's house of mirrors, we are offered a unique perspective on this group of literary greats. We see their obsessions loom large, and none more than a shared needling preoccupation with mortality. And yet these stories, which are meant to be performed as plays, are also tender and thoughtful exercises in empathy. Gifford asks: What does it means to devote oneself entirely to art? And as an artist, what defines success and failure?
In Gifford's house of mirrors, we are offered a unique perspective on this group of literary greats. We see their obsessions loom large, and none more than a shared needling preoccupation with mortality. And yet these stories, which are meant to be performed as plays, are also tender and thoughtful exercises in empathy. Gifford asks: What does it means to devote oneself entirely to art? And as an artist, what defines success and failure?
Barry Gifford invented his own American vernacular William Faulkner by way of B-movie film noir, porn paperbacks, and Sun Records rockabilly. Jonathan Lethem
The experience of reading Gifford is like starting a car and realizing, too late, that someone has cut its brake lines. A spectacular wreck is imminent, so you might as well enjoy the adrenaline rush... Nathaniel Rich, New York Review of Books
Gifford cuts right through the heart of what makes a good novel readable and entertaining... The way Barry Gifford does it, it's high art. Elmore Leonard
Gifford is a master. Los Angeles Times
The experience of reading Gifford is like starting a car and realizing, too late, that someone has cut its brake lines. A spectacular wreck is imminent, so you might as well enjoy the adrenaline rush... Nathaniel Rich, New York Review of Books
Gifford cuts right through the heart of what makes a good novel readable and entertaining... The way Barry Gifford does it, it's high art. Elmore Leonard
Gifford is a master. Los Angeles Times