Andere Kunden interessierten sich auch für
![Inclusive Screenwriting for Film and Television]( "Inclusive Screenwriting for Film and Television")
Inclusive Screenwriting for Film and Television28,99 €![Inclusive Screenwriting for Film and Television]( "Inclusive Screenwriting for Film and Television")
Inclusive Screenwriting for Film and Television123,99 €![Scriptwriting for Film, Television and New Media]( "Scriptwriting for Film, Television and New Media")
Scriptwriting for Film, Television and New Media55,99 €![Alternative Scriptwriting]( "Alternative Scriptwriting")
Alternative Scriptwriting38,39 €![The Final Rewrite]( "The Final Rewrite")
The Final Rewrite26,99 €![The Screenwriter's Workshop]( "The Screenwriter's Workshop")
The Screenwriter's Workshop34,99 €![Applied Screenwriting]( "Applied Screenwriting")
Applied Screenwriting34,99 €
Writing Compelling Dialogue for Film and TV is a practical guide that provides you, the screenwriter, with a clear set of exercises, tools, and methods to raise your ability to hear and discern conversation at a more complex level, in turn allowing you to create better, more nuanced, complex and compelling dialogue.
The process of understanding dialogue writing begins with increasing writers' awareness of what they hear. This book provides writers with an assortment of dialogue and language tools, techniques, and exercises and teaches them how to perceive and understand the function, intent and thematic/psychological elements that dialogue can convey about character, tone, and story. Text, subtext, voice, conflict, exposition, rhythm and style are among the many aspects covered. This book reminds us of the sheer joy of great dialogue and will change and enhance the way writers hear, listen to, and write dialogue, and along the way aid the writers' confidence in their own voice allowing them to become more proficient writers of dialogue.
Written by veteran screenwriter, playwright, and screenwriting professor Loren-Paul Caplin, Writing Compelling Dialogue is an invaluable writing tool for any aspiring screenwriter who wants to improve their ability to write dialogue for film and television, as well as students, professionals, and educators.
The process of understanding dialogue writing begins with increasing writers' awareness of what they hear. This book provides writers with an assortment of dialogue and language tools, techniques, and exercises and teaches them how to perceive and understand the function, intent and thematic/psychological elements that dialogue can convey about character, tone, and story. Text, subtext, voice, conflict, exposition, rhythm and style are among the many aspects covered. This book reminds us of the sheer joy of great dialogue and will change and enhance the way writers hear, listen to, and write dialogue, and along the way aid the writers' confidence in their own voice allowing them to become more proficient writers of dialogue.
Written by veteran screenwriter, playwright, and screenwriting professor Loren-Paul Caplin, Writing Compelling Dialogue is an invaluable writing tool for any aspiring screenwriter who wants to improve their ability to write dialogue for film and television, as well as students, professionals, and educators.
'Caplin's extensive screenwriting and teaching experience nourishes this exceedingly useful guide. Whether screenwriters are just starting out or looking to perfect their skills, his tool kit is filled with elements that sharpen what he rightly calls ear tuning. This book illuminates not only text, but context and subtext.'
Annette Insdorf, Film Professor, Columbia University
'Dialogue is the key to unlocking character. Loren-Paul Caplin's book is a key to unlocking dialogue. Nothing is worse than listening to bad dialogue. It makes your skin crawl, your hair burst into flames, and your ears fall off. Caplin's book will help you save your audience a lot of pain and suffering.'
Jim Kouf, Writer (Grimm, National Treasure, Rush Hour, Money Monster)
'Perhaps the toughest part of writing a compelling screenplay is creating dialogue that sings. In this excellent introduction, Loren-Paul Caplin provides aspiring screenwriters with a powerful set of tools to take on their journey to effective storytelling.'
Jonathan Wacks, Founding Director and Professor at the Feirstein Graduate School of Cinema, Brooklyn College and former Chair of the Visual and Media Arts Department, Emerson College. (Credits include: Powwow Highway, Repo Man, 21 Jump St.)
'Among the sea of how-to books for screenwriters, Loren-Paul Caplin's stands out for finally giving dialogue its due. Systematic and succinct, Writing Compelling Dialogue provides the kind of toolkit that puts inspiration within reach. The entertaining examples and exercises will make your fingers itch to start writing.'
Rob King, Professor of Film and Media Studies, Columbia University
Annette Insdorf, Film Professor, Columbia University
'Dialogue is the key to unlocking character. Loren-Paul Caplin's book is a key to unlocking dialogue. Nothing is worse than listening to bad dialogue. It makes your skin crawl, your hair burst into flames, and your ears fall off. Caplin's book will help you save your audience a lot of pain and suffering.'
Jim Kouf, Writer (Grimm, National Treasure, Rush Hour, Money Monster)
'Perhaps the toughest part of writing a compelling screenplay is creating dialogue that sings. In this excellent introduction, Loren-Paul Caplin provides aspiring screenwriters with a powerful set of tools to take on their journey to effective storytelling.'
Jonathan Wacks, Founding Director and Professor at the Feirstein Graduate School of Cinema, Brooklyn College and former Chair of the Visual and Media Arts Department, Emerson College. (Credits include: Powwow Highway, Repo Man, 21 Jump St.)
'Among the sea of how-to books for screenwriters, Loren-Paul Caplin's stands out for finally giving dialogue its due. Systematic and succinct, Writing Compelling Dialogue provides the kind of toolkit that puts inspiration within reach. The entertaining examples and exercises will make your fingers itch to start writing.'
Rob King, Professor of Film and Media Studies, Columbia University