Writing Fear examines how nineteenth-century Russian writers borrowed from European gothic fiction, demonstrating the ways in which this helped transform literary realism.
Writing Fear examines how nineteenth-century Russian writers borrowed from European gothic fiction, demonstrating the ways in which this helped transform literary realism.
Acknowledgments Note on Transliteration and Translation List of Illustrations Introduction: Russian Realism and the Gothic Part One: Gothic Migration 1. The Russian Reader’s Gothic Library 2. Gothic Transmutations in Pushkin and Gogol 3. Russian Landscapes in a Gothic Frame 4. The Idiot: Dostoevsky’s Gothic Novel Part Two: Gothic Realism 5. Physiological Petersburg, Gothic Petersburg 6. Gothic Subjectivity and the Woman Question 7. Political Terror and the School of Horror 8. The Fall of the House on the Russian Estate Conclusion: Chekhov’s Ghosts Works Cited Index
Acknowledgments Note on Transliteration and Translation List of Illustrations Introduction: Russian Realism and the Gothic Part One: Gothic Migration 1. The Russian Reader’s Gothic Library 2. Gothic Transmutations in Pushkin and Gogol 3. Russian Landscapes in a Gothic Frame 4. The Idiot: Dostoevsky’s Gothic Novel Part Two: Gothic Realism 5. Physiological Petersburg, Gothic Petersburg 6. Gothic Subjectivity and the Woman Question 7. Political Terror and the School of Horror 8. The Fall of the House on the Russian Estate Conclusion: Chekhov’s Ghosts Works Cited Index
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