Writing for Immortality studies the lives and works of four prominent members of the first generation of American women who strived for recognition as serious literary artists: Louisa May Alcott, Elizabeth Stuart Phelps, Elizabeth Stoddard, and Constance Fenimore Woolson. Combining literary criticism and cultural history, Anne E. Boyd redraws the boundaries between male and female literary spheres and between American and British literary traditions. She shows how these writers rejected the didacticism of the previous generation of women writers and instead drew their inspiration from the most prominent "literary" writers of their day: Emerson, James, Barrett Browning, and Eliot. Placing the works and experiences of Alcott, Phelps, Stoddard, and Woolson within contemporary discussions about "genius" and the "American artist," Boyd reaches a sobering conclusion. Although these women were encouraged by the democratic ideals implicit in such concepts, they were equally discouraged by lingering prejudices about their applicability to women. "Radically expands the literary world of nineteenth-century American women, considering them in conversation with European women writers as well as male writers in Europe and America."--American Literature "Boyd's close textual work gives the reader a valuable introduction to the work and lives of these four authors."--Journal of American History "A highly satisfying analysis of the contexts within which women's literary ambitions shifted and the sensibilities of the male literary elite were forcefully challenged."--Tulsa Studies in Women's Literature "Well written and appealingly produced, it is a thoughtful contribution to the field of late-nineteenth century American literature and to the women, men, and above all institutions that produced it."-- American Literary Realism
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