Why do we endlessly tell the stories of our lives? And why do others pay attention when we do? The essays collected here address these questions, focusing on three different but interrelated dimensions of life writing.
Why do we endlessly tell the stories of our lives? And why do others pay attention when we do? The essays collected here address these questions, focusing on three different but interrelated dimensions of life writing.
Paul John Eakin is Ruth N. Halls Professor Emeritus of English at Indiana University. He is the author of Fictions in Autobiography: Studies in the Art of Self-Invention (1985); Touching the World: Reference in Autobiography (1992); How Our Lives Become Stories: Making Selves (1999); and Living Autobiographically: How We Create Identity in Narrative (2008). He is the editor of On Autobiography, by Philippe Lejeune 1989); American Autobiography: Retrospect and Prospect (1991); and The Ethics of Life Writing (2004).
Inhaltsangabe
Foreword by Craig Howes I. Narrative "What Are We Reading When We Read Autobiography?" "Selfhood, Autobiography, and Interdisciplinary Inquiry: A Reply to George Butte" "Narrative Identity and Narrative Imperialism: A Response to Galen Strawson and James Phelan" "Travelling with Narrative: From Text to Body" II. Life Writing: Historical Forms "Writing Biography: A Perspective from Autobiography" "Eye and I: Negotiating Distance in Eyewitness Narrative" "Living in History: Autobiography, Memoir(s), and Mémoires" "History and Life Writing: The Value of Subjectivity" III. Autobiography Now "Autobiography as Cosmogram" "Self and Self-Representation Online and Off" "Autobiography and the Big Picture" IV. Epilogue: One Man's Story "My Father . . ." "James Olney and the Study of Autobiography"
Foreword by Craig Howes I. Narrative "What Are We Reading When We Read Autobiography?" "Selfhood, Autobiography, and Interdisciplinary Inquiry: A Reply to George Butte" "Narrative Identity and Narrative Imperialism: A Response to Galen Strawson and James Phelan" "Travelling with Narrative: From Text to Body" II. Life Writing: Historical Forms "Writing Biography: A Perspective from Autobiography" "Eye and I: Negotiating Distance in Eyewitness Narrative" "Living in History: Autobiography, Memoir(s), and Mémoires" "History and Life Writing: The Value of Subjectivity" III. Autobiography Now "Autobiography as Cosmogram" "Self and Self-Representation Online and Off" "Autobiography and the Big Picture" IV. Epilogue: One Man's Story "My Father . . ." "James Olney and the Study of Autobiography"
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