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In Writing Men, Berthold Shoene-Harwood outlines the historical development of literary representations of masculinity from Mary Shelly's Frankenstein to Ian McEwan's The Child in Time. Subdivided into four parts, the study's first section takes a journey into the nineteenth-century pre-history of post-war and contemporary British men's writing, introducing readers to literature's capacity to both consolidate and unsettle traditional conceptions of femininity and masculinity. In Part II, detailed readings of modern classics such as Lord of the Flies, A Clockwork Orange, Look Back in Anger, and Room at the Top reveal the persistence of patriarchal gender hierarchies in the 1950s and early 1960s. The third and central section explores the influence feminist thought has had on some men's contemporary re-imaging of themselves beyond the confines of traditional gender formations. The final section discusses Neil Bartlett's Ready to Catch Him Should He Fall as an attempt to subvert patriarchal masculinity from a gay male perspective. Inspired by feminist theory and the new academic discipline of Men's Studies, Schoene-Harwood analyzes men's writing both in relation to women's writing and as a literary genre in its own right. Arguing for a new concept of ecriture masculine, Writing Men makes a challenging and theoretically ambitious contribution to current critical debates on the literary representation of gender.