Explores the developments of Chinese art in the last century, applying critical theories to question and re-interpret concepts that are normally taken for granted
Explores the developments of Chinese art in the last century, applying critical theories to question and re-interpret concepts that are normally taken for granted
Director's Foreword Preface and Acknowledgements Introduction: Modernization, Periodization, Canonization in Twentieth-Century Chinese Painting / Jerome Silbergeld Part I: Becoming Modern Chapter 1. When Was Modern Chinese Art?: A Short History of Chinese Modernism / Ralph Croizier Chapter 2. Fundamental Changes in the Study of Chinese Painting: 1796-1948 / Qingli Wan Part II: Becoming Chinese Chapter 3. Concept to Context: The Theoretical Transformation of Ink Painting into China's National Art in the 1920s and 1930s / Kuiyi Shen Chapter 4. Art under Mao, "Cai Guoqiang's Maksimov Collection," and China's Twentieth Century / Julia Andrews Chapter 5. Rediscovering China in Japan: Fu Baoshi's Ink Painting / Tamaki Maeda Chapter 6. "Two Wangs" in New York: Tradition and Modernization in the Diaspora / Arnold Chang Part III: Becoming Art Chapter 7. What Is a Masterpiece?: Historiographical Anxieties and Classifications of Painting in Modern China / Aida Yuen Wong Chapter 8. How Good Are Modern Chinese Landscapes?: Genre, Evaluation, and Works by the "Two Stones" / Josh Yiu Chapter 9. The History and Collecting of Twentieth-Century Chinese Art: Michael Sullivan's Pioneering Survey / Zaixin Hong Appendix: Exhibition Materials Text panels and labels for the exhibition "Of Nature and Friendship: Modern Chinese Painting from the Khoan and Michael Sullivan Collection"
Director's Foreword Preface and Acknowledgements Introduction: Modernization, Periodization, Canonization in Twentieth-Century Chinese Painting / Jerome Silbergeld Part I: Becoming Modern Chapter 1. When Was Modern Chinese Art?: A Short History of Chinese Modernism / Ralph Croizier Chapter 2. Fundamental Changes in the Study of Chinese Painting: 1796-1948 / Qingli Wan Part II: Becoming Chinese Chapter 3. Concept to Context: The Theoretical Transformation of Ink Painting into China's National Art in the 1920s and 1930s / Kuiyi Shen Chapter 4. Art under Mao, "Cai Guoqiang's Maksimov Collection," and China's Twentieth Century / Julia Andrews Chapter 5. Rediscovering China in Japan: Fu Baoshi's Ink Painting / Tamaki Maeda Chapter 6. "Two Wangs" in New York: Tradition and Modernization in the Diaspora / Arnold Chang Part III: Becoming Art Chapter 7. What Is a Masterpiece?: Historiographical Anxieties and Classifications of Painting in Modern China / Aida Yuen Wong Chapter 8. How Good Are Modern Chinese Landscapes?: Genre, Evaluation, and Works by the "Two Stones" / Josh Yiu Chapter 9. The History and Collecting of Twentieth-Century Chinese Art: Michael Sullivan's Pioneering Survey / Zaixin Hong Appendix: Exhibition Materials Text panels and labels for the exhibition "Of Nature and Friendship: Modern Chinese Painting from the Khoan and Michael Sullivan Collection"
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