In Writing Music for Commercials: Television, Radio, and New Media, professor, composer, arranger, and producer Michael Zager describes the process of composing and arranging music specifically for commercials across the growing variety of media formats.
In Writing Music for Commercials: Television, Radio, and New Media, professor, composer, arranger, and producer Michael Zager describes the process of composing and arranging music specifically for commercials across the growing variety of media formats.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Recipient of numerous advertising awards for his musical, including a Clio, International Film Festival Awards, Art Directors Club Awards, and a Mobius Advertising Award, Michael Zager is the Dorothy F. Schmidt Eminent Scholar in Performing Arts, professor of music and director of the Commercial Music Program at Florida Atlantic University. He is the author of Music Production for Producers, Composers, Arrangers, and Students (2nd edition, Scarecrow Press, 2012). He has composed, arranged and produced music for more than 400 commercials for clients, including Dr Pepper, MCI, Masterlock, Cablevision, Malt Liquor (music sung by Kool and the Gang, the Spinners, .38 Special, and the Chi-lites), Bounce (music sung by Whitney Houston), Budweiser, Crest, Kodak, Ivory Shampoo, Maxwell House Coffee, Clearasil, Lancôme, Volvo, and Burger King.
Inhaltsangabe
Preface Acknowledgments Introduction 1: Advertising Agency and Process Structure 2: Composing for Television and Radio Commercials versus Composing for Films 3: Musical Skills (Approaching Composition for Commercials) 4: Analyzing Commercials (from a Musical Viewpoint) 5: Underscoring (Compositional Techniques) 6: Arranging and Orchestration Concepts (Including Sound Effects and Sound Design) 7: Jingle Writing 8: Composing Music for Radio Commercials 9: Corporate Videos and Infomercials (Long-Form Commercials) 10: Theatrical Trailer Music (Motion Picture Trailer Music) 11: Video Game Music 12: Internet Commercials, Website Music, and Web Series (Webisodes) 13: Sound Design and Foley Effects 14: The Business of Commercials 15: Conclusion Index About the Author
Preface Acknowledgments Introduction 1: Advertising Agency and Process Structure 2: Composing for Television and Radio Commercials versus Composing for Films 3: Musical Skills (Approaching Composition for Commercials) 4: Analyzing Commercials (from a Musical Viewpoint) 5: Underscoring (Compositional Techniques) 6: Arranging and Orchestration Concepts (Including Sound Effects and Sound Design) 7: Jingle Writing 8: Composing Music for Radio Commercials 9: Corporate Videos and Infomercials (Long-Form Commercials) 10: Theatrical Trailer Music (Motion Picture Trailer Music) 11: Video Game Music 12: Internet Commercials, Website Music, and Web Series (Webisodes) 13: Sound Design and Foley Effects 14: The Business of Commercials 15: Conclusion Index About the Author
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