This comprehensive study of musical notation from early medieval Europe provides a crucial new foundational model for understanding later Western notations.
This comprehensive study of musical notation from early medieval Europe provides a crucial new foundational model for understanding later Western notations.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Susan Rankin is Professor of Medieval Music at the University of Cambridge, Fellow of Emmanuel College and a Fellow of the British Academy. Professor Rankin's published works include The Music of the Medieval Liturgical Drama in France and England, 2 vols (1989), and Music in the Medieval English Liturgy: Plainsong and Mediæval Music Society Centennial Essays (1992), co-edited with David Hilley. She has also edited The Winchester Troper: Introduction and Facsimile, Early English Church Music 50 (2007), and with Wulf Arlt, Stiftsbibliothek Sankt Gallen Codices 484 and 381, 3 vols (1996). Professor Rankin has published numerous journal articles and book chapters on medieval music, its manuscripts and notations, and on ritual.
Inhaltsangabe
Part I. Musical Literacy: 1. Writing music 2. Palaeographical study of neumatic notations (from 1681 to the present) 3. Music notations 800-900: the evidence Part II. Music Scripts: 4. Graphic techniques and strategies 5. Frankish scripts 6. Lotharingian and Breton scripts 7. Palaeofrankish script 8. Music scripts: conclusions Part III. Writing Sound: 9. Signs and meaning 10. Writing music: accents 11. The Carolingian invention of music writing.
Part I. Musical Literacy: 1. Writing music 2. Palaeographical study of neumatic notations (from 1681 to the present) 3. Music notations 800-900: the evidence Part II. Music Scripts: 4. Graphic techniques and strategies 5. Frankish scripts 6. Lotharingian and Breton scripts 7. Palaeofrankish script 8. Music scripts: conclusions Part III. Writing Sound: 9. Signs and meaning 10. Writing music: accents 11. The Carolingian invention of music writing.
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