This study examines literary and cultural developments in the community of Harlem during its renaissance period in the 1920s. The contributors analyze the Harlem Renaissance from a number of angles by investigating the works of literary writers, journalists, and sociologists of the period and connect the era to present-day Harlem.
This study examines literary and cultural developments in the community of Harlem during its renaissance period in the 1920s. The contributors analyze the Harlem Renaissance from a number of angles by investigating the works of literary writers, journalists, and sociologists of the period and connect the era to present-day Harlem.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Emily Allen Williams is dean of the College of Liberal Arts and Social Sciences at the University of the Virgin Islands.
Inhaltsangabe
Preface, Emily Allen Williams Introduction, Reginald Martin Part I: Writing the Harlem Renaissance: Spatial Representations and Memorandums of [Mis] Understanding Chapter 1: The Greatest Joy in Life: Geraldyn Dismond's Transformative Coverage of the Hamilton Lodge Ball, Jacqueline C. Jones Chapter 2: Towards a Trans-Atlantic Approach: Tracing the Modernist Psychodrama and Wasteland Critique-the Poetry of the Political Imagination, Christopher Varlack Chapter 3: The Impact of the Harlem Renaissance on the Development of the African American Voice within Literature, Mary Lynn Chambers Part II: Blackness, Beauty, and Interracial Posturing: Sociological and Literary Representations Chapter 4: DuBois and Larsen: The Convergence of Contrasting Literary Genres, Imani Michelle Scott Chapter 5: Jean Toomer's Cane in the Harlem Renaissance: Modernity, Individuality, and Language, Gerardo Del Guercio Chapter 6: In Search of Our Mother's Dignity: The Plight of African American Women in Selected Harlem Renaissance Literature, Devona Mallory Chapter 7: Revisiting the "Mulatto" Stereotype in Passing and The Autobiography of an Ex-colored Man, Antonia Iliadou
Preface, Emily Allen Williams Introduction, Reginald Martin Part I: Writing the Harlem Renaissance: Spatial Representations and Memorandums of [Mis] Understanding Chapter 1: The Greatest Joy in Life: Geraldyn Dismond's Transformative Coverage of the Hamilton Lodge Ball, Jacqueline C. Jones Chapter 2: Towards a Trans-Atlantic Approach: Tracing the Modernist Psychodrama and Wasteland Critique-the Poetry of the Political Imagination, Christopher Varlack Chapter 3: The Impact of the Harlem Renaissance on the Development of the African American Voice within Literature, Mary Lynn Chambers Part II: Blackness, Beauty, and Interracial Posturing: Sociological and Literary Representations Chapter 4: DuBois and Larsen: The Convergence of Contrasting Literary Genres, Imani Michelle Scott Chapter 5: Jean Toomer's Cane in the Harlem Renaissance: Modernity, Individuality, and Language, Gerardo Del Guercio Chapter 6: In Search of Our Mother's Dignity: The Plight of African American Women in Selected Harlem Renaissance Literature, Devona Mallory Chapter 7: Revisiting the "Mulatto" Stereotype in Passing and The Autobiography of an Ex-colored Man, Antonia Iliadou
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