This study examines literary and cultural developments in the community of Harlem during its renaissance period in the 1920s. The contributors analyze the Harlem Renaissance from a number of angles by investigating the works of literary writers, journalists, and sociologists of the period and connect the era to present-day Harlem.
This study examines literary and cultural developments in the community of Harlem during its renaissance period in the 1920s. The contributors analyze the Harlem Renaissance from a number of angles by investigating the works of literary writers, journalists, and sociologists of the period and connect the era to present-day Harlem.
Edited by Emily Allen Williams - Contributions by Mary Lynn Chamber; Gerardo Del Guercio; Antonia Iliadou; Jacqueline C. Jones; Devona Mallory; Reginald Martin; Imani Michelle Scott and Christopher Varlack
Inhaltsangabe
Preface, Emily Allen Williams Introduction, Reginald Martin Part I: Writing the Harlem Renaissance: Spatial Representations and Memorandums of [Mis] Understanding Chapter 1: The Greatest Joy in Life: Geraldyn Dismond's Transformative Coverage of the Hamilton Lodge Ball, Jacqueline C. Jones Chapter 2: Towards a Trans-Atlantic Approach: Tracing the Modernist Psychodrama and Wasteland Critique-the Poetry of the Political Imagination, Christopher Varlack Chapter 3: The Impact of the Harlem Renaissance on the Development of the African American Voice within Literature, Mary Lynn Chambers Part II: Blackness, Beauty, and Interracial Posturing: Sociological and Literary Representations Chapter 4: DuBois and Larsen: The Convergence of Contrasting Literary Genres, Imani Michelle Scott Chapter 5: Jean Toomer's Cane in the Harlem Renaissance: Modernity, Individuality, and Language, Gerardo Del Guercio Chapter 6: In Search of Our Mother's Dignity: The Plight of African American Women in Selected Harlem Renaissance Literature, Devona Mallory Chapter 7: Revisiting the "Mulatto" Stereotype in Passing and The Autobiography of an Ex-colored Man, Antonia Iliadou
Preface, Emily Allen Williams Introduction, Reginald Martin Part I: Writing the Harlem Renaissance: Spatial Representations and Memorandums of [Mis] Understanding Chapter 1: The Greatest Joy in Life: Geraldyn Dismond's Transformative Coverage of the Hamilton Lodge Ball, Jacqueline C. Jones Chapter 2: Towards a Trans-Atlantic Approach: Tracing the Modernist Psychodrama and Wasteland Critique-the Poetry of the Political Imagination, Christopher Varlack Chapter 3: The Impact of the Harlem Renaissance on the Development of the African American Voice within Literature, Mary Lynn Chambers Part II: Blackness, Beauty, and Interracial Posturing: Sociological and Literary Representations Chapter 4: DuBois and Larsen: The Convergence of Contrasting Literary Genres, Imani Michelle Scott Chapter 5: Jean Toomer's Cane in the Harlem Renaissance: Modernity, Individuality, and Language, Gerardo Del Guercio Chapter 6: In Search of Our Mother's Dignity: The Plight of African American Women in Selected Harlem Renaissance Literature, Devona Mallory Chapter 7: Revisiting the "Mulatto" Stereotype in Passing and The Autobiography of an Ex-colored Man, Antonia Iliadou
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