Writing the Self, Creating Community
German Women Authors and the Literary Sphere, 1750-1850
Herausgeber: Krimmer, Elisabeth; Nossett, Lauren
Writing the Self, Creating Community
German Women Authors and the Literary Sphere, 1750-1850
Herausgeber: Krimmer, Elisabeth; Nossett, Lauren
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This volume examines the world of German women writers who emerged in the burgeoning literary marketplace of eighteenth-century Europe.
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This volume examines the world of German women writers who emerged in the burgeoning literary marketplace of eighteenth-century Europe.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 328
- Erscheinungstermin: 15. Mai 2020
- Englisch
- Abmessung: 232mm x 157mm x 24mm
- Gewicht: 594g
- ISBN-13: 9781640140783
- ISBN-10: 1640140786
- Artikelnr.: 58293522
- Verlag: Boydell & Brewer
- Seitenzahl: 328
- Erscheinungstermin: 15. Mai 2020
- Englisch
- Abmessung: 232mm x 157mm x 24mm
- Gewicht: 594g
- ISBN-13: 9781640140783
- ISBN-10: 1640140786
- Artikelnr.: 58293522
Elisabeth Krimmer, Lauren Nossett
Introduction Empowering Germany's Daughters: On the Pedagogical Program and
the Poetic Techniques of Sophie von La Roche "Ich spreche lieber von guten
Büchern": Sophie von La Roche's Concept of Female Authorship and Readership
Challenging Female Ideals: Marie-Elisabeth de La Fite's Translation of
Sophie von La Roche's Geschichte des Fräuleins von Sternheim Catherine II,
Polyxene Büsching, and Johanna Charlotte Unzer: A Literary "Community of
Practice" Ghostwriters: The Apparitional Author in Benedikte Naubert's "Die
Weiße Frau" (1792) and Sophie Albrecht's Das Höfliche Gespenst (1797)
Vampirism Inverted: Pathology, Gender, and Authorship in Karoline von
Günderrode's "Die Bande der Liebe" Wozu eine Amazonen-Literatur? Literary
Creativity and Productivity in the Writings of Helmina von Chézy Women
Writers and the Märchenoma: Foremother, Identity, and Legacy The
Illegitimacy of Authorship and the Legitimization of Passion in Agnes von
LilienMargaretmary Daley The Politics of the Female Body in Louise Aston's
and Fanny Lewald's Writings through the Prism of the Romantic Theory of
Sociability and Dialogue Weibliche Irrsterne: Louise Otto-Peters and the
Notion of Female Genius in Nineteenth-Century Germany
the Poetic Techniques of Sophie von La Roche "Ich spreche lieber von guten
Büchern": Sophie von La Roche's Concept of Female Authorship and Readership
Challenging Female Ideals: Marie-Elisabeth de La Fite's Translation of
Sophie von La Roche's Geschichte des Fräuleins von Sternheim Catherine II,
Polyxene Büsching, and Johanna Charlotte Unzer: A Literary "Community of
Practice" Ghostwriters: The Apparitional Author in Benedikte Naubert's "Die
Weiße Frau" (1792) and Sophie Albrecht's Das Höfliche Gespenst (1797)
Vampirism Inverted: Pathology, Gender, and Authorship in Karoline von
Günderrode's "Die Bande der Liebe" Wozu eine Amazonen-Literatur? Literary
Creativity and Productivity in the Writings of Helmina von Chézy Women
Writers and the Märchenoma: Foremother, Identity, and Legacy The
Illegitimacy of Authorship and the Legitimization of Passion in Agnes von
LilienMargaretmary Daley The Politics of the Female Body in Louise Aston's
and Fanny Lewald's Writings through the Prism of the Romantic Theory of
Sociability and Dialogue Weibliche Irrsterne: Louise Otto-Peters and the
Notion of Female Genius in Nineteenth-Century Germany
Introduction Empowering Germany's Daughters: On the Pedagogical Program and
the Poetic Techniques of Sophie von La Roche "Ich spreche lieber von guten
Büchern": Sophie von La Roche's Concept of Female Authorship and Readership
Challenging Female Ideals: Marie-Elisabeth de La Fite's Translation of
Sophie von La Roche's Geschichte des Fräuleins von Sternheim Catherine II,
Polyxene Büsching, and Johanna Charlotte Unzer: A Literary "Community of
Practice" Ghostwriters: The Apparitional Author in Benedikte Naubert's "Die
Weiße Frau" (1792) and Sophie Albrecht's Das Höfliche Gespenst (1797)
Vampirism Inverted: Pathology, Gender, and Authorship in Karoline von
Günderrode's "Die Bande der Liebe" Wozu eine Amazonen-Literatur? Literary
Creativity and Productivity in the Writings of Helmina von Chézy Women
Writers and the Märchenoma: Foremother, Identity, and Legacy The
Illegitimacy of Authorship and the Legitimization of Passion in Agnes von
LilienMargaretmary Daley The Politics of the Female Body in Louise Aston's
and Fanny Lewald's Writings through the Prism of the Romantic Theory of
Sociability and Dialogue Weibliche Irrsterne: Louise Otto-Peters and the
Notion of Female Genius in Nineteenth-Century Germany
the Poetic Techniques of Sophie von La Roche "Ich spreche lieber von guten
Büchern": Sophie von La Roche's Concept of Female Authorship and Readership
Challenging Female Ideals: Marie-Elisabeth de La Fite's Translation of
Sophie von La Roche's Geschichte des Fräuleins von Sternheim Catherine II,
Polyxene Büsching, and Johanna Charlotte Unzer: A Literary "Community of
Practice" Ghostwriters: The Apparitional Author in Benedikte Naubert's "Die
Weiße Frau" (1792) and Sophie Albrecht's Das Höfliche Gespenst (1797)
Vampirism Inverted: Pathology, Gender, and Authorship in Karoline von
Günderrode's "Die Bande der Liebe" Wozu eine Amazonen-Literatur? Literary
Creativity and Productivity in the Writings of Helmina von Chézy Women
Writers and the Märchenoma: Foremother, Identity, and Legacy The
Illegitimacy of Authorship and the Legitimization of Passion in Agnes von
LilienMargaretmary Daley The Politics of the Female Body in Louise Aston's
and Fanny Lewald's Writings through the Prism of the Romantic Theory of
Sociability and Dialogue Weibliche Irrsterne: Louise Otto-Peters and the
Notion of Female Genius in Nineteenth-Century Germany