"Rabasa provides a compelling understanding of the cultural worlds of the Spanish conquerors as they collided violently with Native Americans in the contact zones--in Florida, California, Texas, Chile, and Argentina. In so doing he devastates the rationales underlying violence in sixteenth century Spanish history and fiction, and thus challenges the readers to reconsider the rationales by which English and American settlers inhabited the West, and which they called 'frontier violence.' "--Patricia Seed, Rice University
"Rabasa provides a compelling understanding of the cultural worlds of the Spanish conquerors as they collided violently with Native Americans in the contact zones--in Florida, California, Texas, Chile, and Argentina. In so doing he devastates the rationales underlying violence in sixteenth century Spanish history and fiction, and thus challenges the readers to reconsider the rationales by which English and American settlers inhabited the West, and which they called 'frontier violence.' "--Patricia Seed, Rice University
About the Series List of Figures Acknowledgments On Writing Violence: An Introduction 1. Reading Cabeza de Vaca, or How We Perpetuate the Culture of Conquest 2. The Mediation of the Law in the New Mexico Corpus, 1539–1609 > 3. Aesthetics of Colonial Violence: The Massacre of Acoma in Gaspar de Villagrá’s Historia de la Nueva México 4. Violence in de Soto Narratives: Moralistic Terrorism in Oviedo’s Historia general > 5. “Porque soy indio”: Subjectivity in Garcilaso’s La Florida del Inca 6. Of Massacre and Representation: Painting Hatred and Ceremonies of Possession in Protestant Anti-Spanish Pamphleteering Epilogue: Before Histories Abreviations Notes Bibliography Index
About the Series List of Figures Acknowledgments On Writing Violence: An Introduction 1. Reading Cabeza de Vaca, or How We Perpetuate the Culture of Conquest 2. The Mediation of the Law in the New Mexico Corpus, 1539–1609 > 3. Aesthetics of Colonial Violence: The Massacre of Acoma in Gaspar de Villagrá’s Historia de la Nueva México 4. Violence in de Soto Narratives: Moralistic Terrorism in Oviedo’s Historia general > 5. “Porque soy indio”: Subjectivity in Garcilaso’s La Florida del Inca 6. Of Massacre and Representation: Painting Hatred and Ceremonies of Possession in Protestant Anti-Spanish Pamphleteering Epilogue: Before Histories Abreviations Notes Bibliography Index
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