Yet Again - Beerbohm, Max
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In 1909, ten years had elapsed since Max Beerbohm's last volume of essays. In the time which had passed, his style had evolved to become a little more elegiac, a little less over-consciously clever. Yet Again gave full voice to his new mode, moulded by constant journalism into a superb clear flow. Still present are trenchantly funny criticism of banality, gorgeous erudition, countered expectations and, most of all, delicious irony. In ¿Seeing People Off we are asked to examine the terrible truth behind awkward goodbyes; in A Club in Ruins the strange and lugubrious magnetism of dying buildings…mehr

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Produktbeschreibung
In 1909, ten years had elapsed since Max Beerbohm's last volume of essays. In the time which had passed, his style had evolved to become a little more elegiac, a little less over-consciously clever. Yet Again gave full voice to his new mode, moulded by constant journalism into a superb clear flow. Still present are trenchantly funny criticism of banality, gorgeous erudition, countered expectations and, most of all, delicious irony. In ¿Seeing People Off we are asked to examine the terrible truth behind awkward goodbyes; in A Club in Ruins the strange and lugubrious magnetism of dying buildings is surveyed; in Ichabod¿ the author shamefacedly asks himself why he should mind that all the labels have been cleaned from his luggage; in The House of Commons Manner he bemoans the surprising lack of skill in speaking of the august members of that house; and in Dulcedo Judiciorum a full account is rendered of the superiority of the entertainment provided by the law courts over that of the theatre. Alongside seventeen other brilliant essays, there is here also a special section of nine imaginative depictions inspired by famous artworks.
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Autorenporträt
Sir Henry Maximilian Beerbohm (August 24, 1872 - May 20, 1956) was an English essayist, parodist, and caricaturist known as Max. He rose to prominence in the 1890s as a dandy and comic. He was the Saturday Review's drama critic from 1898 to 1910, when he moved to Rapallo, Italy. In his senior years, he gained popularity for his occasional radio appearances. Zuleika Dobson, his only novel, was released in 1911 and is among his most well-known works. Many public collections feature his caricatures, which are often created in pen or pencil with muted watercolor tinting. Henry Maximilian Beerbohm (1811-1892) was the youngest of nine children born to Julius Ewald Edward Beerbohm, a Lithuanian-born grain dealer, at 57 Palace Gardens Terrace in London, which is now commemorated with a blue plaque. His mother was Eliza Draper Beerbohm, Julius' late first wife's sister. Beerbohm had four half-siblings, one of them, Herbert Beerbohm Tree, was an established theater actor when Max was a toddler. Other elder half-siblings were author and explorer Julius Beerbohm and author Constance Beerbohm.