Clare Freestone is Curator, Photography, at the National Portrait Gallery, London. Recent publications include Photographs in Dialogue UAE ¿ 1971 ¿ UK (2020) and Ida Kar: Bohemian Photographer (2011), with contributions made to Love Stories: Art, Passion & Tragedy (2020). Pamela G. Roberts is a researcher and curator. Recent publications include Alvin Langdon Coburn (2015) and A Century of Color Photography (2008), with contributions made to Madame Yevonde: Be Original or Die (1999). Susanna Brown is a photography curator who previously worked for the Victoria & Albert Museum, London. Recent publications include Tim Walker: Wonderful Things (2019) and Horst: Photographer of Style (2014). Lucinda Gosling is Head of Sales & Research at Mary Evans Picture Library. Recent publications include John Hassall: The Life and Art of the Poster King (2021), Great War Britain: The First World War at Home (2014) and Brushes and Bayonets: Cartoons, Sketches and Paintings of World War I (2008), with contributions made to Art of Feminism (2019). Lizzie Broadbent has worked with teams for over 25 years in complex business, consulting and non-executive roles. Her blog, Women Who Meant Business, tells the stories of business women working in the late nineteenth and early twentieth centuries. Georgia Atienza is Assistant Curator, Photographs (Acquisitions and Collections), at the National Portrait Gallery, London. Contributions made to recent publications include Love Stories: Art, Passion & Tragedy (2020), Ida Kar: Bohemian Photographer (2011) and The Virginia Woolf Bulletin (Issue No. 21, January 2006).
