Yiddish with Dick and Jane - Weiner, Ellis; Davilman, Barbara
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In text that captures the unique rhythms of the original Dick and Jane readers, and in 35 all-new illustrations, a story unfolds in which the ultra-WASPish Dick and Jane - hero and heroine of the classic books for children that generations have used when learning to read - manage to express shades of feeling and nuances of meaning that ordinary English just can't deliver. How? By speaking Yiddish, employing terms that convey an attitude - part plucky self-assertion, part ironic fatalism. When Dick schmoozes, when Jane kvetches, when their children fress noodles at a Chinese restaurant, the…mehr

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Produktbeschreibung
In text that captures the unique rhythms of the original Dick and Jane readers, and in 35 all-new illustrations, a story unfolds in which the ultra-WASPish Dick and Jane - hero and heroine of the classic books for children that generations have used when learning to read - manage to express shades of feeling and nuances of meaning that ordinary English just can't deliver. How? By speaking Yiddish, employing terms that convey an attitude - part plucky self-assertion, part ironic fatalism. When Dick schmoozes, when Jane kvetches, when their children fress noodles at a Chinese restaurant, the clash of cultures produces genuine hilarity...
YIDDISH WITH DICK AND JANE tells a simple story: Grandma gets sick and Dick and Jane's sister Sally visits. There are sub-plots about such ethical dilemmas as gift-giving etiquette and marital infidelity. The comedy intensifies in the glossary, which defines (with chutzpah aplenty!) each Yiddish term introduced in the text.
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Autorenporträt
Ellis Weiner is the only person, dead or alive, who has published in the National Lampoon (where he was an editor), Spy (where he wrote a column), and The New Yorker (where he still appears). He is co-author, with Barbara Davilman, of Yiddish With Dick and Jane, Yiddish With George and Laura, How to Raise a Jewish Dog, The Big Jewish Book for Jews, and other titles. He is founder and editor-in-chief of the Sherman Oaks Review of Books, a "channel" of the Los Angeles Review of Books, which debuted in 2016.