Yogaku discusses over a century of musical activity in Japan, detailing, in particular, the music that was inspired by Western music after the Meiji Restoration in the 19th century, and its development through the end of the 20th century. The book not only examines the infiltration of Western music into Japan, but it also provides insight into the aesthetical and theoretical aspects of Japanese musical thought.
Yogaku discusses over a century of musical activity in Japan, detailing, in particular, the music that was inspired by Western music after the Meiji Restoration in the 19th century, and its development through the end of the 20th century. The book not only examines the infiltration of Western music into Japan, but it also provides insight into the aesthetical and theoretical aspects of Japanese musical thought.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Luciana Galliano has been on the faculty at the University of Venice since 1997, and has taught at the University of Turin and the Music Conservatories of Milan as well. She has been published in many Italian journals and Japanese musicological magazines. She has also lectured extensively on the topic of Oriental music.
Inhaltsangabe
Part 1 Foreword to the Italian Edition Part 2 Foreword to the English Edition Part 3 Acknowledgments Part 4 Note on the Transliteration of Japanese Terms and Names Part 5 Part I: Introduction: Traditional Japanese Cultural Values and Japan's Transition into the Twentieth Century Part 6 1 The Introduction of Western Music Part 7 2 The Evolution of a Western-Style Musical Language in the First Half of the Twentieth Century Part 8 3 A New Musical World Part 9 4 Nationalism and Music Part 10 Part II: 5 The Cultural and Social Situation in the Postwar Period Part 11 6 The Postwar Avant-Garde Part 12 7 The 1960s Part 13 8 The Closing Decades of the Twentieth Century Part 14 Appendix A: List of Japanese Names Part 15 Appendix B: List of Aesthetic and Musical Terms Part 16 Bibliography Part 17 Index Part 18 About the Author
Part 1 Foreword to the Italian Edition Part 2 Foreword to the English Edition Part 3 Acknowledgments Part 4 Note on the Transliteration of Japanese Terms and Names Part 5 Part I: Introduction: Traditional Japanese Cultural Values and Japan's Transition into the Twentieth Century Part 6 1 The Introduction of Western Music Part 7 2 The Evolution of a Western-Style Musical Language in the First Half of the Twentieth Century Part 8 3 A New Musical World Part 9 4 Nationalism and Music Part 10 Part II: 5 The Cultural and Social Situation in the Postwar Period Part 11 6 The Postwar Avant-Garde Part 12 7 The 1960s Part 13 8 The Closing Decades of the Twentieth Century Part 14 Appendix A: List of Japanese Names Part 15 Appendix B: List of Aesthetic and Musical Terms Part 16 Bibliography Part 17 Index Part 18 About the Author
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