Leading Yoruba scholars and artists show how to and how not to understand the art of an African culture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Barry Hallen has been Reader in Philosophy, Obafemi Awolowo University, Nigeria; Fellow and Associate, Du Bois Institute, Harvard University; Professor of Philosophy, Morehouse College, Atlanta, Georgia. He is author of Knowledge, Belief and Witchcraft, The Good, the Bad, and the Beautiful, African Philosophy: Analytic Approach and Short History of African Philosophy.
Inhaltsangabe
INTRODUCTION 1. WE ARE NOT PRIMITIVE: J.R.O. Ojo (Professor of Fine Arts, Obafemi Awolowo University) 2. WE LIVE IN A COSMOS: Babatunde Lawal ( Professor of Art History, Virginia Commonwealth University) 3. YORÙBÁ ARTISTIC CRITICISM: Robert Farris Thompson (Colonel John Trumbull Professor of the History of Art, Yale University) 4. THE AFRICAN ART HISTORIAN AS CONCEPTUAL ANALYST: Barry Hallen 5. YORÙBÁ AESTHETIC CRITERIA: Rowland Abiodun (John C. Newton Professor of the History of Art and Black Studies, Amherst College) and Babatunde Lawal (Professor of Art History, Virginia Commonwealth University) 6. THE VERBAL, THE VISUAL, AND THE FOURTH STAGE: Rowland Abiodun (John C. Newton Professor of the History of Art and Black Studies, Amherst College) and Wole Soyinka (playwright, novelist, poet, and essayist) AFTERWORD ADDENDUM SUPPLEMENTARY BIBLIOGRAPHY PICTURE CREDITS Index
INTRODUCTION 1. WE ARE NOT PRIMITIVE: J.R.O. Ojo (Professor of Fine Arts, Obafemi Awolowo University) 2. WE LIVE IN A COSMOS: Babatunde Lawal ( Professor of Art History, Virginia Commonwealth University) 3. YORÙBÁ ARTISTIC CRITICISM: Robert Farris Thompson (Colonel John Trumbull Professor of the History of Art, Yale University) 4. THE AFRICAN ART HISTORIAN AS CONCEPTUAL ANALYST: Barry Hallen 5. YORÙBÁ AESTHETIC CRITERIA: Rowland Abiodun (John C. Newton Professor of the History of Art and Black Studies, Amherst College) and Babatunde Lawal (Professor of Art History, Virginia Commonwealth University) 6. THE VERBAL, THE VISUAL, AND THE FOURTH STAGE: Rowland Abiodun (John C. Newton Professor of the History of Art and Black Studies, Amherst College) and Wole Soyinka (playwright, novelist, poet, and essayist) AFTERWORD ADDENDUM SUPPLEMENTARY BIBLIOGRAPHY PICTURE CREDITS Index
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