Yorùbá Art and Aesthetics
Methodologies and Their Consequences
Herausgeber: Hallen, Barry; Perina, Mickaella; Pang-White, Ann A; Mungwini, Pascah; Morisato, Takeshi; Madaio, James; El-Bizri, Nader; Kalmanson, Leah; Kirloskar-Steinbach, Monika; Stewart, Georgina; Rivera, Omar
Yorùbá Art and Aesthetics
Methodologies and Their Consequences
Herausgeber: Hallen, Barry; Perina, Mickaella; Pang-White, Ann A; Mungwini, Pascah; Morisato, Takeshi; Madaio, James; El-Bizri, Nader; Kalmanson, Leah; Kirloskar-Steinbach, Monika; Stewart, Georgina; Rivera, Omar
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Leading Yoruba scholars and artists show how to and how not to understand the art of an African culture.
Andere Kunden interessierten sich auch für
- Cynthia R. NielsenGadamer's Hermeneutical Aesthetics64,99 €
- Daniel HerwitzCosmopolitan Aesthetics41,99 €
- Ecocritical Aesthetics33,99 €
- Gary TedmanAesthetics & Alienation22,99 €
- The Foundations of Aesthetics20,99 €
- Joseph MargolisPhilosophy Looks at the Arts: Contemporary Readings in Aesthetics45,99 €
- Ruth RonenAesthetics of Anxiety39,99 €
-
-
-
Leading Yoruba scholars and artists show how to and how not to understand the art of an African culture.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 208
- Erscheinungstermin: 10. Juli 2025
- Englisch
- Abmessung: 216mm x 138mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781350476103
- ISBN-10: 1350476102
- Artikelnr.: 72222119
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Bloomsbury Academic
- Seitenzahl: 208
- Erscheinungstermin: 10. Juli 2025
- Englisch
- Abmessung: 216mm x 138mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781350476103
- ISBN-10: 1350476102
- Artikelnr.: 72222119
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Barry Hallen has been Reader in Philosophy, Obafemi Awolowo University, Nigeria; Fellow and Associate, Du Bois Institute, Harvard University; Professor of Philosophy, Morehouse College, Atlanta, Georgia. He is author of Knowledge, Belief and Witchcraft, The Good, the Bad, and the Beautiful, African Philosophy: Analytic Approach and Short History of African Philosophy.
INTRODUCTION 1. WE ARE NOT PRIMITIVE: J.R.O. Ojo (Professor of Fine Arts
Obafemi Awolowo University) 2. WE LIVE IN A COSMOS: Babatunde Lawal ( Professor of Art History
Virginia Commonwealth University) 3. YORUBA ART CRITICISM: Robert Farris Thompson (Colonel John Trumbull Professor of the History of Art
Yale University) 4. THE AFRICAN ART HISTORIAN AS CONCEPTUAL ANALYST: Barry Hallen 5. YORUBA AESTHETIC CRITERIA: Rowland Abiodun (John C. Newton Professor of the History of Art and Black Studies
Amherst College) and Babatunde Lawal (Professor of Art History
Virginia Commonwealth University) 6. THE VERBAL
THE VISUAL
AND THE FOURTH STAGE: Rowland Abiodun (John C. Newton Professor of the History of Art and Black Studies
Amherst College) and Wole Soyinka (playwright
novelist
poet
and essayist) AFTERWORD Index
Obafemi Awolowo University) 2. WE LIVE IN A COSMOS: Babatunde Lawal ( Professor of Art History
Virginia Commonwealth University) 3. YORUBA ART CRITICISM: Robert Farris Thompson (Colonel John Trumbull Professor of the History of Art
Yale University) 4. THE AFRICAN ART HISTORIAN AS CONCEPTUAL ANALYST: Barry Hallen 5. YORUBA AESTHETIC CRITERIA: Rowland Abiodun (John C. Newton Professor of the History of Art and Black Studies
Amherst College) and Babatunde Lawal (Professor of Art History
Virginia Commonwealth University) 6. THE VERBAL
THE VISUAL
AND THE FOURTH STAGE: Rowland Abiodun (John C. Newton Professor of the History of Art and Black Studies
Amherst College) and Wole Soyinka (playwright
novelist
poet
and essayist) AFTERWORD Index
INTRODUCTION 1. WE ARE NOT PRIMITIVE: J.R.O. Ojo (Professor of Fine Arts
Obafemi Awolowo University) 2. WE LIVE IN A COSMOS: Babatunde Lawal ( Professor of Art History
Virginia Commonwealth University) 3. YORUBA ART CRITICISM: Robert Farris Thompson (Colonel John Trumbull Professor of the History of Art
Yale University) 4. THE AFRICAN ART HISTORIAN AS CONCEPTUAL ANALYST: Barry Hallen 5. YORUBA AESTHETIC CRITERIA: Rowland Abiodun (John C. Newton Professor of the History of Art and Black Studies
Amherst College) and Babatunde Lawal (Professor of Art History
Virginia Commonwealth University) 6. THE VERBAL
THE VISUAL
AND THE FOURTH STAGE: Rowland Abiodun (John C. Newton Professor of the History of Art and Black Studies
Amherst College) and Wole Soyinka (playwright
novelist
poet
and essayist) AFTERWORD Index
Obafemi Awolowo University) 2. WE LIVE IN A COSMOS: Babatunde Lawal ( Professor of Art History
Virginia Commonwealth University) 3. YORUBA ART CRITICISM: Robert Farris Thompson (Colonel John Trumbull Professor of the History of Art
Yale University) 4. THE AFRICAN ART HISTORIAN AS CONCEPTUAL ANALYST: Barry Hallen 5. YORUBA AESTHETIC CRITERIA: Rowland Abiodun (John C. Newton Professor of the History of Art and Black Studies
Amherst College) and Babatunde Lawal (Professor of Art History
Virginia Commonwealth University) 6. THE VERBAL
THE VISUAL
AND THE FOURTH STAGE: Rowland Abiodun (John C. Newton Professor of the History of Art and Black Studies
Amherst College) and Wole Soyinka (playwright
novelist
poet
and essayist) AFTERWORD Index