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The highly anticipated second volume to the widely acclaimed and celebrated self-portrait series, Somnyama Ngonyama, Hail the Dark Lioness
In Somnyama Ngonyama, Hail the Dark Lioness, Volume II, Zanele Muholi explores and expands upon notions of Blackness, and the myriad possibilities of the self. Since the publication of the first volume in 2018, Muholi has continued to photograph themself in a range of new international locations. Drawing on different materials or found objects referencing their environment, a specific event or lived experience, Muholi boldly explores their own image and…mehr

Produktbeschreibung
The highly anticipated second volume to the widely acclaimed and celebrated self-portrait series, Somnyama Ngonyama, Hail the Dark Lioness

In Somnyama Ngonyama, Hail the Dark Lioness, Volume II, Zanele Muholi explores and expands upon notions of Blackness, and the myriad possibilities of the self. Since the publication of the first volume in 2018, Muholi has continued to photograph themself in a range of new international locations. Drawing on different materials or found objects referencing their environment, a specific event or lived experience, Muholi boldly explores their own image and innate possibilities as a Black individual in today's global society, and-most important-speaks emphatically in response to contemporary and historical racisms. Renée Mussai, curator and historian, brings together written contributions from more than ten curators, poets, and authors, building a poetic and experimental framework that extends the idea of speculative futures and the potentiality of multivalent selves. Powerfully arresting, this collection further amplifies Muholi's expressive and radical manifesto. As they state in the first volume, "My practice as a visual activist looks at Black resistance-existence as well as insistence."


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Autorenporträt
Zanele Muholi (born in Umlazi, Durban, South Africa, 1972) is a visual activist and photographer, cofounder of the Forum for the Empowerment of Women, and founder of Inkanyiso, a forum for queer and visual media. Muholi has won numerous awards, including France's Chevalier de l'Ordre des Arts et des Lettres in 2017; ICP Infinity Award for Documentary and Photojournalism (2016); Fine Prize for an emerging artist at the 2013 Carnegie International; and a Prince Claus Award (2013). Their Faces and Phases series was shown at dOCUMENTA (13) and the 55th Venice Biennale, and was shortlisted for the Deutsche Börse Photography Prize in 2015. The first volume of Somnyama Ngonyama (Aperture, 2018) was awarded the Kraszna-Krausz Photography Book Award in 2019. Muholi is an honorary professor at the University of the Arts Bremen, Germany. They are represented by Stevenson Gallery, Johannesburg, and Yancey Richardson Gallery, New York.Renée Mussai is artistic director and chief curator at the Walther Collection, after more than twenty years as senior curator and head of collection at Autograph, London. A curator, writer, and scholar of photography and lens-based media with a special interest in African and diasporic lens-based Black feminist and queer visual arts practices, Mussai has organized internationally traveling exhibitions such as Zanele Muholi's Somnyama Ngonyama, Hail the Dark Lioness and the critically acclaimed Black Chronicles programs. Her publications include Lina Iris Viktor's award-winning monograph Some Are Born to Endless Night-Dark Matter (2020) and the forthcoming Eyes That Commit: Black Women and Non-Binary Photographers-A Visual Survey (2023). Mussai is currently research associate at the Visual Identities in Art and Design Research Centre, University of Johannesburg; associate lecturer at University of the Arts London; and former guest curator and fellow at the Hutchins Center for Afric

an & African American Research at Harvard University.