Formed from discussions between Zygmunt Molik and author Giuliano Campo, this book shows the approaches of Molik as practitioner and teacher. It focuses on his 'Body Alphabet' system, allowing actors to use voice and body in preparatory processes.
Formed from discussions between Zygmunt Molik and author Giuliano Campo, this book shows the approaches of Molik as practitioner and teacher. It focuses on his 'Body Alphabet' system, allowing actors to use voice and body in preparatory processes.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Zygmunt Molik was a co-founder, leading actor and for 25 years a member of Jerzy Grotowski's Teatr Laboratorium. He played the main role in forming the voice training initiated by Jerzy Grotowski. His Voice and Body training sessions focus on the release of creative energy, and the search for the unity and connection between the body and the voice as the basis of an actor's process. Giuliano Campo is actor, writer and director. He is former research associate for the British Grotowski Project based at the University of Kent, UK, a member of the European Theatre Research Network (ETRN) and of the Leverhulme International Research Network collaborating with the school of the Moscow Art Theatre (MXAT).
Inhaltsangabe
INTRODUCTION FIRST DAY Acting therapy - The Voice and The Life - The beginnings SECOND DAY Techniques - "Sing your life" - Teachers and masters - Grotowski and the company THIRD DAY Paratheatre - The Organic Life and the Process - Ryszard Cie¿lak FOURTH DAY The meeting with the unknown - Montage FIFTH DAY The "Body Alphabet" IMAGES OF THE "BODY ALPHABET" SIXTH DAY The text - Organic and cultural differences - Voice as a vehicle SEVENTH DAY The attention - Necessity, organic process, nostalgia EIGHTH DAY The productions - Meeting Grotowski - The Teatr Laboratorium NINETH DAY Colleagues and collaborators APPENDIX. GROTOWSKI THEATRE AND BEYOND From Stanislavski to Grotowski - The Theatre of Productions (1959-1969) - Paratheatre (1970-1978), Theatre of Sources (1979-1982) and after
INTRODUCTION FIRST DAY Acting therapy - The Voice and The Life - The beginnings SECOND DAY Techniques - "Sing your life" - Teachers and masters - Grotowski and the company THIRD DAY Paratheatre - The Organic Life and the Process - Ryszard Cie¿lak FOURTH DAY The meeting with the unknown - Montage FIFTH DAY The "Body Alphabet" IMAGES OF THE "BODY ALPHABET" SIXTH DAY The text - Organic and cultural differences - Voice as a vehicle SEVENTH DAY The attention - Necessity, organic process, nostalgia EIGHTH DAY The productions - Meeting Grotowski - The Teatr Laboratorium NINETH DAY Colleagues and collaborators APPENDIX. GROTOWSKI THEATRE AND BEYOND From Stanislavski to Grotowski - The Theatre of Productions (1959-1969) - Paratheatre (1970-1978), Theatre of Sources (1979-1982) and after
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