This book presents a set of approaches that work with a systematic critical focus on a number of Arab novels, with the aim of highlighting their qualitative characteristics, within the framework of variations of form and discourse, and the resulting work of many Arab novels on textual productions that produce new narrative forms that would establish a shift in The aesthetic sensitivity of the Arab novel, and in the Arab novelists' understanding of the meaning of the Arabic novel preserving its local specificity in terms of facts, expectations, details and spaces, but at the same time it celebrates its being a work of fiction that falls within the contexts of writing and its bets on modernizing forms and renewing contents. In this debate between the Arabic novel preserving its local specificity and being rooted in the soil of reality, and renewing its forms, a number of qualitative characteristics are built, which make novel writing an open horizon for the adventure of building forms and expanding the boundaries of the novel genre, making it a literary discourse open to literary genres. Others, such as poetry, theater, visual arts, etc.
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