'William E. Jefferson's '2102: Pretense, The Play' masterfully weaves a captivating narrative that explores the intricate dance between advancing technology and the very essence of human existence, leaving readers spellbound by its thought-provoking brilliance.' A work of fictional realism, not fantasy, 2102 offers an undeniable probe of modern-day reality, of technology and media effects. The author draws upon empirical findings, from a range of contemporary nonfictional works and nonprofits like, The Center for Human Technology, Center for AI safety, and the Media Ecology Association.
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