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  • Format: ePub

Though we see in three dimensions, we tend to notice 3-D when it is artificially created, as with a stereoscope. Rather than tell the history of 3-D through technique and technology, Rebecca Hackemann brings a conceptual, artistic, and critical view to her topic, unpacking its use in conceptual art, sculpture, and other mediums.
Bringing together artists such as Salvador Dali Duchamp and William Kentridge and Lydia Clark who were inspired by three-dimensional imagery and their theories, Hackemann surveys sixty years of 3-D in contemporary art for indicators of a turn in visual culture, foregrounding meaning and content.
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Produktbeschreibung
Though we see in three dimensions, we tend to notice 3-D when it is artificially created, as with a stereoscope. Rather than tell the history of 3-D through technique and technology, Rebecca Hackemann brings a conceptual, artistic, and critical view to her topic, unpacking its use in conceptual art, sculpture, and other mediums.

Bringing together artists such as Salvador Dali Duchamp and William Kentridge and Lydia Clark who were inspired by three-dimensional imagery and their theories, Hackemann surveys sixty years of 3-D in contemporary art for indicators of a turn in visual culture, foregrounding meaning and content.


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Autorenporträt
Rebecca Hackemann, Ph.D. is a British/German and newly American scholar and conceptual artist who's research interests lie in stereo 3-D, optics, VR, public space, public art and photography. Dr. Hackemann is associate professor of photography at Kansas State University. You can find more of her artwork and writing at rebeccahackemann.com.