The debut poetry collection from Lyndsay Rush (aka @maryoliversdrunkcousin) is a humorous and joyful celebration of big feelings, tender truths, and hard-won wisdom, for fans of Maggie Smith, Kate Baer, and Kate Kennedy.
At long last, a book of poetry for people who didn't even know they liked poetry. And they're in good company: author Lyndsay Rush didn't know she liked it either. That is, until she embarked on an internet experiment under the Instagram username @MaryOliversDrunkCousin that turned into a body of work that struck a chord with women across the country; thanks to her signature wordplay, witticisms, and-against all odds-wisdom.
With titles like "Shedonism", "Someone to Eat Chips With", "It's Called Maximalism, Babe", and "Breaking News: Local Woman Gets Out of Bed", Rush's debut collection of poetry uses humor to grapple with the female experience-from questioning whether or not to have children, to roasting the patriarchy, to challenging what it means to "age gracefully"-and each piece delivers gut-punching truths alongside gratifying punchlines. Readers walk away from Lyndsay's work feeling seen, celebrated, and wholly convinced that joy is an urgent, worthwhile pursuit.
With over 140 convention-bending poems-most of which are never-before-seen-this book is quite literally A Bit Much.
At long last, a book of poetry for people who didn't even know they liked poetry. And they're in good company: author Lyndsay Rush didn't know she liked it either. That is, until she embarked on an internet experiment under the Instagram username @MaryOliversDrunkCousin that turned into a body of work that struck a chord with women across the country; thanks to her signature wordplay, witticisms, and-against all odds-wisdom.
With titles like "Shedonism", "Someone to Eat Chips With", "It's Called Maximalism, Babe", and "Breaking News: Local Woman Gets Out of Bed", Rush's debut collection of poetry uses humor to grapple with the female experience-from questioning whether or not to have children, to roasting the patriarchy, to challenging what it means to "age gracefully"-and each piece delivers gut-punching truths alongside gratifying punchlines. Readers walk away from Lyndsay's work feeling seen, celebrated, and wholly convinced that joy is an urgent, worthwhile pursuit.
With over 140 convention-bending poems-most of which are never-before-seen-this book is quite literally A Bit Much.
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