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A Companion to American Indie Film features a comprehensive collection of newly commissioned essays that represent a state-of-the-art resource for understanding key aspects of the field of indie films produced in the United States. * Takes a comprehensive and fresh new look at the topic of American indie film * Features newly commissioned essays from top film experts and emerging scholars that represent the state-of-the-art reference to the indie film field * Topics covered include: indie film culture; key historical moments and movements in indie film history; relationships between indie film…mehr
A Companion to American Indie Film features a comprehensive collection of newly commissioned essays that represent a state-of-the-art resource for understanding key aspects of the field of indie films produced in the United States. * Takes a comprehensive and fresh new look at the topic of American indie film * Features newly commissioned essays from top film experts and emerging scholars that represent the state-of-the-art reference to the indie film field * Topics covered include: indie film culture; key historical moments and movements in indie film history; relationships between indie film and other indie media; and issues including class, gender, regional identity and stardom in in the indie field * Includes studies of many types of indie films and film genres, along with various filmmakers and performers that have come to define the field
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Geoff King is Professor of Film Studies at Brunel University London, UK. He is the author of numerous books on American film topics, including American Independent Cinema (2005), Indiewood, USA: Where Hollywood Meets Independent Cinema (2009), Indie 2.0: Change and Continuity in Contemporary American Indie Film (2014) and Quality Hollywood: Markers of Distinction in Contemporary Studio Film (2016).
Inhaltsangabe
Contributors viii
Acknowledgements xii
Introduction: What Indie Isn't... Mapping the Indie Field 1 Geoff King
Part One Indie Culture 23
1 Indie Film as Indie Culture 25 Michael Z. Newman
2 The Making of the Indie Scene: The Cultural Production of a Field of Cultural Production 42 Sherry B. Ortner
3 Indie as Organic: Tracing Discursive Roots 58 Geoff King
Part Two Indie and Other Media 81
4 Quirky Culture: Tone, Sensibility, and Structure of Feeling 83 James MacDowell
5 Independent Intersections: Indie Music Cultures and American Indie Cinema 106 Jamie Sexton
6 Post?]Cinema Soderbergh 129 Mark Gallagher
Part Three Criticism, Marketing, and Positioning Indie 153
7 Structuring Indie and Beasts of the Southern Wild: The Role of Review Journalism 155 Erin Pearson
8 Marketing American Indie in the Shadow of Hollywood 181 Finola Kerrigan
10 From Independent to Indie: The Independent Feature Project and the Complex Relationship between American Independent Cinema and Hollywood in the 1980s 233 Yannis Tzioumakis
11Going Mainstream: The Indie Film Movement in 1999 257 Thomas Schatz
12 Looking through a Rearview Mirror: Mumblecore as Past Tense 279 J.J. Murphy
Part Five Indie as Regional 301
13 The Pull of Place: Regional Indie Film Production 303 Mary P. Erickson
14 Rural Crimewave: Reconfiguring Regional Spaces through Genre in US Indie Cinema 325 John Berra
Part Six Aesthetics and Politics 347
15 Life During Wartime: Emotionalism, Capitalist Realism, and Middle?]Class Indie Identity 349 Claire Perkins
16 Indie Cinema and the Neoliberal Commodification of Creative Labor: Rethinking the Indie Sensibility of Christopher Nolan 368 Claire Molloy
17 "They Believe Every Fuckin' Word Because You're Super Cool": Masculine Cool '90s Style in Reservoir Dogs 389 Stella Bruzzi
18 The Craft of Independent Filmmaking: Editing in John Sayles' Return of the Secaucus Seven and Baby It's You 407 Warren Buckland
10 From Independent to Indie: The Independent Feature Project and the Complex Relationship between American Independent Cinema and Hollywood in the 1980s 233 Yannis Tzioumakis
11Going Mainstream: The Indie Film Movement in 1999 257 Thomas Schatz
12 Looking through a Rearview Mirror: Mumblecore as Past Tense 279 J.J. Murphy
Part Five Indie as Regional 301
13 The Pull of Place: Regional Indie Film Production 303 Mary P. Erickson
14 Rural Crimewave: Reconfiguring Regional Spaces through Genre in US Indie Cinema 325 John Berra
Part Six Aesthetics and Politics 347
15 Life During Wartime: Emotionalism, Capitalist Realism, and Middle?]Class Indie Identity 349 Claire Perkins
16 Indie Cinema and the Neoliberal Commodification of Creative Labor: Rethinking the Indie Sensibility of Christopher Nolan 368 Claire Molloy
17 "They Believe Every Fuckin' Word Because You're Super Cool": Masculine Cool '90s Style in Reservoir Dogs 389 Stella Bruzzi
18 The Craft of Independent Filmmaking: Editing in John Sayles' Return of the Secaucus Seven and Baby It's You 407 Warren Buckland
