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The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20 th and 21 st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and…mehr
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing
A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience.
This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook:
Demonstrates ways contemporary issues and concerns are addressed through drawing
Reveals how drawing is used to make powerful social and political statements
Situates works by contemporary practitioners within the context of their historical moment
Explores how contemporary art practices utilize drawing as both process and finished artifact
Shows how concepts of observation, representation, and audience have changed dramatically in the digital era
Establishes drawing as a mode of thought
Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.
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Autorenporträt
Kelly Chorpening is the Fine Art Programme Director at Camberwell College of Arts, University of the Arts, London. She has worked extensively in drawing as an artist, writer, curator and educator within fine art and across disciplines, and in a number of national contexts. Rebecca Fortnum is Professor of Fine Art at the Royal College of Art, UK. She is the author of Contemporary British Women Artists: In Their Own Words and On Not Knowing: How Artists Think. She has exhibited widely including solo exhibitions at the Freud Museum and the V&A Museum of Childhood in London.
Inhaltsangabe
List of Illustrations ix
Notes on Contributors xvii
Acknowledgments xxv
Introduction 1 Kelly Chorpening and Rebecca Fortnum
Part I The Power of Drawing 11
1 The Black Index 13 Bridget R. Cooks
2 A State of Alert: The Politics of Eroticism in South American Drawing 29 Sofia Gotti
3 Graphic Witness 55 Kate Macfarlane
4 Drawn from Communism: Anti-Capitalist Drawing from Central-Eastern Europe 71 Magdalena Radomska
5 Differencing Drawing: Feminist Perspectives on Line, Surface, and Space 95 Griselda Pollock
6 A Dirty Double Mirror: Drawing, Autobiography, and Feminism 123 Rebecca Fortnum
7 Between the Sky and the Handle: Shilpa Gupta's Drawings in the Contemporary 147 Parul Dave Mukherji
8 Drawing as Contagion 161 Jade Montserrat
9 Curating Drawing: Exhibitions and the Centering of Drawing in Contemporary Art 167 João Ribas
Part II The Condition of Drawing 183
10 Observation and Drawing: From Looking to Seeing 185 Paul Moorhouse
11 "Drawing's Impropriety" 203 Lucien Massaert
12 Drawing in Atopia: An Exploration of "Drift" as Method 221 Beth Harland
13 Works on/in/with Paper: Approaching Drawing as Responsive Marking 239 Marina Kassianidou
14 Indexical Drawing: On Frottage 257 Margaret Iversen
15 Ground as Critical Limit 271 Laura Lisbon
16 Drawing's Finish 287 Stephanie Straine
17 Radical Antinomies: Drawing and Conceptual Art 309 Anna Lovatt
18 Drawing Desires 325 Sunil Manghani
19 Drawing from Life and the Twenty-first Century Art School 343 Kelly Chorpening
Part III The Expanse of Drawing 367
20 Marking Time, Moving Images: Drawing and Film 369 Ed Kr ma
21 Digital Drawing 389 Tamarin Norwood
22 The Dot and the Line: Drawing Amongst Computers 407 Jane de Almeida
23 Installation/Drawing: Spaces of Drawing Between Art and Architecture 431 Sophia Banou
24 Informational Drawing 451 Matthew Ritchie
25 Drawing Towards Sound - Notation, Diagram, Drawing 471 David Ryan
26 Chinese Calligraphy: A Drawing Ecology 493
Eric Wear
27 The Enduring Power of Comic Strips 513 Simon Grennan