A Companion to Eastern European Cinemas (eBook, ePUB)

Redaktion: Imre, Anikó

• Format: ePub

Produktbeschreibung

A Companion to Eastern European Cinemas showcases twenty-five essays written by established and emerging film scholars that trace the history of Eastern European cinemas and offer an up-to-date assessment of post-socialist film cultures. * Showcases critical historical work and up-to-date assessments of post-socialist film cultures * Features consideration of lesser known areas of study, such as Albanian and Baltic cinemas, popular genre films, cross-national distribution and aesthetics, animation and documentary * Places the cinemas of the region in a European and global context * Resists the Cold War classification of Eastern European cinemas as "other" art cinemas by reconnecting them with the main circulation of film studies * Includes discussion of such films as Taxidermia, El Perro Negro, 12:08 East of Bucharest Big Tõll, and Breakfast on the Grass and explores the work of directors including Tamás Almási, Walerian Borowczyk, Roman Polanski, Jerzy Skolimowski, Andrzej u³awski, and Karel Vachek amongst many others

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Produktdetails

• Verlag: Jossey-Bass
• Seitenzahl: 544
• Erscheinungstermin: 7. August 2012
• Englisch
• ISBN-13: 9781118294352
• Artikelnr.: 37340434

Autorenporträt

Anikó Imre is an Associate Professor of Critical Studies at University of Southern California School of Cinematic Arts. Her books include East European Cinemas (2005); Transnational Feminism in Film and Media (co-authored with Katarzyna Marciniak and Áine O'Healy, 2007); Identity Games: Globalization and the Transformation of Media Cultures in the New Europe (2009); and Popular Television in Eastern and Southern Europe (co-authored with Timothy Havens and Kati Lustyik, 2011). She is also co-editor of the Global Cinemas book series.

Inhaltsangabe

Notes on the Editor and Contributors viii
Foreword xv
Dina Iordanova
1 Introduction: Eastern European Cinema From No End to the End (As We Know
It) 1
Anikó Imre
Part I New Theoretical and Critical Frameworks 23
2 Body Horror and Post-Socialist Cinema: György Pálfi's Taxidermia 25
Steven Shaviro
3 El perro negro : Transnational Readings of Database Documentaries from
Spain 41
Marsha Kinder
4 Did Somebody Say Communism in the Classroom? or The Value of Analyzing
Totality in Recent Serbian Cinema 63
Zoran Samardzija
5 Laughing into an Abyss: Cinema and Balkanization 77
Kriss Ravetto-Biagioli
6 Jewish Identities and Generational Perspectives 101
Catherine Portuges
7 Aftereffects of 1989: Corneliu Porumboiu's 12:08 East of Bucharest (2006)
and Romanian Cinema 125
Alice Bardan
8 Cinema Beyond Borders: Slovenian Cinema in a World Context 148
Meta Mazaj and Shekhar Deshpande
Part II Historical and Spatial Redefinitions 167
9 Center and Periphery, or How Karel Vachek Formed a New Government 169
Alice Lovejoy
10 The Polish Black Series Documentary and the British Free Cinema Movement
183
Bjørn Sørenssen
11 Socialists in Outer Space: East German Film's Venusian Adventure 201
Stefan Soldovieri
12 Red Shift: New Albanian Cinema and its Dialogue with the Old 224
Bruce Williams
13 National Space, (Trans)National Cinema: Estonian Film in the 1960s 244
Eva Näripea
14 For the Peace, For a New Man, For a Better World! Italian Leftist
Culture and Czechoslovak Cinema, 1945-1968 265
Francesco Pitassio
Part III Aesthetic (Re)visions 289
15 The Impossible Polish New Wave and its Accursed Émigré Auteurs:
Borowczyk, Polañski, Skolimowski, and ¯u³awski 291
Michael Goddard
16 Documentary and Industrial Decline in Hungary: The "Ózd Series" of Tamás
Almási 311
John Cunningham
17 Investigating the Past, Envisioning the Future: An Exploration of
Post-1991 Latvian Documentary 325
Maruta Z. Vitols
18 Eastern European Historical Epics: Genre Cinema and the Visualization of
a Heroic National Past 344
Nikolina Dobreva
19 Nation, Gender, and History in Latvian Genre Cinema 366
Irina Novikova
20 A Comparative Study: Rein Raamat's Big Tõll and Priit Pärn's Luncheon on
the Grass 385
Andreas Trossek
21 The Yugoslav Black Wave: The History and Poetics of Polemical Cinema in
the 1960s and 1970s in Yugoslavia 403
Greg De Cuir, Jr .
Part IV Industries and Institutions 425
22 Follow the Money - Financing Contemporary Cinema in Romania 427
Ioana Uricaru
23 An Alternative Model of Film Production: Film Units in Poland after
World War Two 453
Dorota Ostrowska
24 The Hussite Heritage Film: A Dream for all Czech Seasons 466
Petra Hanáková
25 International Co-productions as Productions of Heterotopias 483
Ewa Mazierska
26 East is East? New Turkish Cinema and Eastern Europe 504
Melis Behlil
Index 518