Stephen Brockmann

A Critical History of German Film, Second Edition (eBook, PDF)

• Format: PDF

Produktbeschreibung

The most comprehensive, readable history of German cinema now appears in an expanded, up-to-date new edition that is particularly useful for students and teachers of German film history.



From early masterpieces such as The Cabinet of Dr. Caligari (1920) and Metropolis (1927) to the post-1945 films of Fassbinder, Herzog, and Wenders, German film constitutes a crucial part of the history of world cinema. It helped to shape Hollywood cinema and had a major impact on other cinemas as well. This tried and tested book, popular in college classrooms and among general-interest readers, is the most comprehensive and readable introduction to the history of German cinema, specifically designed to meet the needs of those who want a comprehensible, accessible introduction to the subject. There is no other book that covers the history of German cinema in the same depth and also explores the genesis and meaning of the most important masterpieces in German film history. It does so in chapters devoted to each of thirty-two individual films and in seven interchapters that provide context for historical periods from early German cinema to postunification. The book now appears in an improved, expanded, and up-to-date second edition that covers five additional films, expands the coverage of women's cinema, and brings the history of filmmaking in Germany up to the present moment. The book is specifically designed to appeal to cinema aficionados and for use in college classrooms, where it has been greeted with acclaim by students and teachers alike.

Stephen Brockmann is Professor of German at Carnegie Mellon University.

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Produktdetails

• Verlag: Wits University Press
• Seitenzahl: 690
• Erscheinungstermin: 15. April 2020
• Englisch
• ISBN-13: 9781787448964
• Artikelnr.: 58983679

Autorenporträt

STEPHEN BROCKMANN is Professor of German with courtesy appointments in English and History at Carnegie Mellon University.

Inhaltsangabe

Introduction: Critical Film History and German Studies PART ONE: EARLY
GERMAN FILM HISTORY 1895-1918 Early German Film History 1895-1918:
Historical Overview Der Student von Prag (1913) and Learning to Look PART
TWO: WEIMAR CINEMA 1919-1933 Weimar Cinema 1919-1933: Historical Overview
Das Cabinet des Dr. Caligari (1920) or Film as Hypnosis Der letzte Mann
(1924) or Learning to Move Die Abenteuer des Prinzen Achmed (1926): The
Birth of the Feature-Length Animation Film Metropolis (1927) or Technology
and Sex Der blaue Engel (1930) and Learning to Talk M (1931) or Sound and
Terror PART THREE: NAZI CINEMA 1933-1945 Nazi Cinema 1933-1945: Historical
Overview Triumph des Willens (1935): Documentary and Propaganda Hallo
Janine (1939): Dancing and Singing to Happiness Die große Liebe (1942) or
Love and War PART FOUR: GERMAN CINEMA AT THE ZERO HOUR 1945-1949 German
Cinema at the Zero Hour 1945-1949: Historical Overview Die Mörder sind
unter uns (1946): The Rubble Film PART FIVE: POSTWAR EAST GERMAN CINEMA
1949-1989 Postwar East German Cinema 1949-1989: Historical Overview
Sonnensucher (1958) or Searching for the Socialist Sun Spur der Steine
(1966) or Traces of Repression Die Legende von Paul und Paula (1973) or
East Germany in the '70s Solo Sunny (1980) or Even Socialism Can't Stave
Off Loneliness PART SIX: POSTWAR WEST GERMAN CINEMA 1949-1989 Postwar West
German Cinema 1949-1989: Historical Overview Grün ist die Heide (1951) and
the Reinvention of the German Homeland in Living Color Die Brücke (1959):
Film and War Der junge Törless (1966) or Recapturing Tradition Aguirre, der
Zorn Gottes (1972): Film and the Sublime Deutschland im Herbst (1978) or
Film and Politics Die Ehe der Maria Braun (1979) or West Germany Rebuilds
Die Blechtrommel (1979) or Coming to Terms with the Nazi Past Die bleierne
Zeit (1981): Film and Terrorism Männer (1985) and the New German Film
Comedy Der Himmel über Berlin (1987): Berlin, City of Angels PART SEVEN:
GERMAN FILM AFTER REUNIFICATION 1990-2019 German Film after Reunification
1990-2019: Historical Overview Der bewegte Mann (1994) or West German
Self-Absorption Rossini (1997) or West German Self-Absorption Criticized
Lola rennt (1998) or Cool Germania Good Bye Lenin! (2003) or Farewell to
the Socialist Motherland Gegen die Wand (2004) or Germany Goes
Multicultural Das Leben der anderen (2006) or the Power of Art Toni Erdmann
(2016) and the Passing of a Generation Conclusion: The Future of German
Cinema? Index