Looking at works from Salman Rushdie, Shashi Tharoor, Suniti Namjoshi and Vikram Chandra, the analysis will revolve around three major points: first, that the Indian diaspora is a crucible for myth-making, in which psychology, history and postcolonial politics are inextricably entwined; second, that the nature of diasporic mythography reveals an essential human need to connect to an origin, however mythical it might be; and third, that no connection to an origin is possible without simultaneously revisioning it.
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