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This book maps the landscape of contemporary European premium television fiction, offering a detailed overview of both the changes in the digital production and distribution and the emergence of specific national and transnational case histories.
This book maps the landscape of contemporary European premium television fiction, offering a detailed overview of both the changes in the digital production and distribution and the emergence of specific national and transnational case histories.
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Autorenporträt
Luca Barra is Associate Professor of Television and Digital Media at Università di Bologna, Italy. Massimo Scaglioni is Full Professor of Media Economics and History at Università Cattolica del Sacro Cuore, Milan.
Inhaltsangabe
1. Introduction: The Many Steps and Factors of a European Renaissance Luca Barra and Massimo Scaglioni Part I: Researching European Fiction 2. The Grounds for a Renaissance in European Fiction: Transnational Writing, Production and Distribution Approaches and Strategies Luca Barra and Massimo Scaglioni 3. Mapping European Premium Scripted TV: Trends, Patterns and Data in an Emerging EU Market Dom Holdaway, Cecilia Penati and Anna Sfardini 4. Transnational Circulation of European TV Series: National Models and Industrial Strategies for Scripted Pay Imports/Exports Paolo Carelli and Damiano Garofalo Part II: United Kingdom 5. A 21st-Century Gold Rush? Video on Demand and the Global Competition for UK Television Philip Drake 6. "The Biggest Drama Commission in British Television History": Netflix, The Crown and the UK Television Ecosystem Roberta Pearson Part III: France 7. Video on Demand Platforms, Editorial Strategies and Logics of Production: The Case of Netflix France Christel Taillibert and Bruno Cailler 8. The Strategy of "Quality TV": Branding, Creating and Producing at Canal+ Hélène Monnet-Cantagrel 9. What is a Quality French Series? Reflections on The Bureau François Jost Part IV: Italy 10. Towards a New Model for Italian TV Fiction: Sky Italia Originals and the Struggle for Difference Luca Barra and Massimo Scaglioni 11. The Holy See(ing): Splendors and Miseries of The Young Pope Giancarlo Lombardi Part V: Germany 12. TV Drama Series Production in Germany and the Digital Television Landscape Lothar Mikos 13. Selling Location, Selling History: New German Series and Changing Market Logic Susanne Eichner Part VI: Spain 14. Ways of Production and Distribution as Movistar+ Juan Francisco Gutiérrez Lozano 15. Bambú Producciones and the Transformation of Spanish Television Fiction Production Concepción Cascajosa-Virino Part VII: Central and Eastern Europe 16. HBO Europe's Original Programming in the Era of Streaming Wars Petr Szczepanik 17. Quality by Design: Feature TV Series from Premium Television in Poland Artur Majer 18. Familiar, Much Too Familiar... HBO's Hungarian Original Productions and the Questions of Cultural Proximity Balasz Varga
1. Introduction: The Many Steps and Factors of a European Renaissance Luca Barra and Massimo Scaglioni Part I: Researching European Fiction 2. The Grounds for a Renaissance in European Fiction: Transnational Writing, Production and Distribution Approaches and Strategies Luca Barra and Massimo Scaglioni 3. Mapping European Premium Scripted TV: Trends, Patterns and Data in an Emerging EU Market Dom Holdaway, Cecilia Penati and Anna Sfardini 4. Transnational Circulation of European TV Series: National Models and Industrial Strategies for Scripted Pay Imports/Exports Paolo Carelli and Damiano Garofalo Part II: United Kingdom 5. A 21st-Century Gold Rush? Video on Demand and the Global Competition for UK Television Philip Drake 6. "The Biggest Drama Commission in British Television History": Netflix, The Crown and the UK Television Ecosystem Roberta Pearson Part III: France 7. Video on Demand Platforms, Editorial Strategies and Logics of Production: The Case of Netflix France Christel Taillibert and Bruno Cailler 8. The Strategy of "Quality TV": Branding, Creating and Producing at Canal+ Hélène Monnet-Cantagrel 9. What is a Quality French Series? Reflections on The Bureau François Jost Part IV: Italy 10. Towards a New Model for Italian TV Fiction: Sky Italia Originals and the Struggle for Difference Luca Barra and Massimo Scaglioni 11. The Holy See(ing): Splendors and Miseries of The Young Pope Giancarlo Lombardi Part V: Germany 12. TV Drama Series Production in Germany and the Digital Television Landscape Lothar Mikos 13. Selling Location, Selling History: New German Series and Changing Market Logic Susanne Eichner Part VI: Spain 14. Ways of Production and Distribution as Movistar+ Juan Francisco Gutiérrez Lozano 15. Bambú Producciones and the Transformation of Spanish Television Fiction Production Concepción Cascajosa-Virino Part VII: Central and Eastern Europe 16. HBO Europe's Original Programming in the Era of Streaming Wars Petr Szczepanik 17. Quality by Design: Feature TV Series from Premium Television in Poland Artur Majer 18. Familiar, Much Too Familiar... HBO's Hungarian Original Productions and the Questions of Cultural Proximity Balasz Varga
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