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First published in 2005, this story tells how in the years before the French Revolution, London is an unsettled, dangerous place: the scene of an exquisite, thrilling tale of revelation and revenge.
One freezing May morning, two veiled women step off the boat from Holland. A French lady, calling her Mrs Fox, and her maid: they are on the run. Fearing for her life, Mrs Fox must make her way in a strange new city . . . but both her past and present crackle with danger.
Immoral and beautiful, Mrs Fox has always used men to support and amuse her. Trusting on her wits to keep ahead of the
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Produktbeschreibung
First published in 2005, this story tells how in the years before the French Revolution, London is an unsettled, dangerous place: the scene of an exquisite, thrilling tale of revelation and revenge.

One freezing May morning, two veiled women step off the boat from Holland. A French lady, calling her Mrs Fox, and her maid: they are on the run. Fearing for her life, Mrs Fox must make her way in a strange new city . . . but both her past and present crackle with danger.

Immoral and beautiful, Mrs Fox has always used men to support and amuse her. Trusting on her wits to keep ahead of the hangman, she manipulates others to survive: gullible Lord Danceacre; sweet Violet Denyss; and degenerate predator, Earl Much.

Yet in the Earl, Mrs Fox has met an adversary whose sadistic viciousness is a match for her own attempts to destroy him. Games are played with ever higher stakes, until someone must pay the penalty - but will it be the innocent or the damned? Through a dark, quick world of liars and lechers, where infidelity and intellect cross swords with desire or death, Mrs Fox hurtles towards a horrible climax.

Here is London, 1784 . . . Welcome to a factory of cunning.
Autorenporträt
Having had her first novel rejected by Faber when she was eight, Philippa Stockley worked variously and often simultaneously as a painter; a clothing-, set-, costume-, interior- and graphic-designer; a window-painter; journalist; newspaper-page-designer; editor, columnist and reviewer, before publishing her first London-set novel, The Edge of Pleasure.

She studied English at Oxford, then clothing history at the Courtauld Institute where she wrote a thesis upon costume in the novels of Fielding and Defoe, giving her an introduction to the background of her second novel, The Factory of Cunning.

Philippa Stockley has reviewed for The Sunday Telegraph and Country Life, and written for The Evening Standard, RA magazine, and Cornerstone.