This volume links fictional, non-fictional and pictorial representations of a colonial otherness with the late nineteenth-century artistic concerns about representational conventions and possibilities. The author explores these texts and images through the postcolonial framework of 'exoticism'. This book maps the epistemological concerns of exoticism and of difference - self and other, home and away, familiarity and strangeness - onto the representational modes of realism and romance, focusing exclusively on female novelists, travel writers and painters of the turn-of-the-century exotic.
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