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This title, first published in 1926, presents the great artistic and literary innovations of the Romantic movement according to an often overlooked and unacknowledged definition of 'Romanticism', which is of particular relevance in the consideration of the English Romantic spirit: pertaining to the style of the Christian and popular literature of the Middle Ages. The author recapitulates the key contributions of English poets - including Scott, Coleridge and Keats - in light of their recovery of certain themes and leitmotifs that clearly distinguish the Romantic style.
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