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A History of the Symphony identifies the underlying cultural factors that have shaped the symphony over the past three hundred years, presenting a unified view of the entire history of the genre.
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A History of the Symphony identifies the underlying cultural factors that have shaped the symphony over the past three hundred years, presenting a unified view of the entire history of the genre.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 270
- Erscheinungstermin: 29. Oktober 2019
- Englisch
- ISBN-13: 9781351125239
- Artikelnr.: 58011605
- Verlag: Taylor & Francis
- Seitenzahl: 270
- Erscheinungstermin: 29. Oktober 2019
- Englisch
- ISBN-13: 9781351125239
- Artikelnr.: 58011605
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Jeffrey Langford is Associate Dean for Doctoral Studies at the Manhattan School of Music in New York, NY.
PART I: THE CLASSICAL SYMPHONY
Chapter 1 - Origins of the Genre: From Pergolesi to Early Haydn
Pergolesi and the Italian Sinfonia
Stamitz and the Mannheim School; C.P.E. Bach and the Empfindsam Stil
Early Haydn
Chapter 2 - Maturation of the Genre: Haydn and Mozart
Haydn: From Servant to Entrepreneur
The Genius of Mozart
Chapter 3 - From Classicism to Romanticism
Beethoven and the Destruction of the Classical Style
Schubert and the First Signs of Romanticism
PART II: THE ROMANTIC SYMPHONY
Chapter 4 - The Romantic Generation: Tradition vs. the Avant-garde
Berlioz and the Romantic Revolution
Mendelssohn's Classical Romanticism
Tradition and Innovation in the Symphonies of Schumann
The Janus Face of Brahms
Liszt and the Symphonic Avant-garde
Chapter 5 - Musical Nationalism: Eastern Europe and Russia
The Politics of Nationalism in the Symphonies of Smetana and Dvöák
The "Mighty Five" and Tchaikovsky
Chapter 6 - The Late Romantic Symphony: Mahler and Strauss
Mahler as "Song-symphonist"
Strauss and the Tome Poem
PART III: THE SYMPHONY IN THE MODERN ERA
Chapter 7 - The Early 20th Century
Debussy and the Transition to the Modern Era
The Unique Path of Sibelius
Chapter 8 - Masters of the 20th Century: From Ives to Shostakovich
Ives as Symphonic Iconoclast
Prokofiev and the Neo-Classical Style
The Changing Symphonic Face of Stravinsky
Hindemith and the Nazis
The Enigma of Shostakovich
Chapter 9 - Contemporary Views of the Symphony
20th-Century Reinterpretations of the Symphony: Messiaen, Penderecki, and Lutoslawski
Post-modern Symphonies and Gender Issues
Chapter 1 - Origins of the Genre: From Pergolesi to Early Haydn
Pergolesi and the Italian Sinfonia
Stamitz and the Mannheim School; C.P.E. Bach and the Empfindsam Stil
Early Haydn
Chapter 2 - Maturation of the Genre: Haydn and Mozart
Haydn: From Servant to Entrepreneur
The Genius of Mozart
Chapter 3 - From Classicism to Romanticism
Beethoven and the Destruction of the Classical Style
Schubert and the First Signs of Romanticism
PART II: THE ROMANTIC SYMPHONY
Chapter 4 - The Romantic Generation: Tradition vs. the Avant-garde
Berlioz and the Romantic Revolution
Mendelssohn's Classical Romanticism
Tradition and Innovation in the Symphonies of Schumann
The Janus Face of Brahms
Liszt and the Symphonic Avant-garde
Chapter 5 - Musical Nationalism: Eastern Europe and Russia
The Politics of Nationalism in the Symphonies of Smetana and Dvöák
The "Mighty Five" and Tchaikovsky
Chapter 6 - The Late Romantic Symphony: Mahler and Strauss
Mahler as "Song-symphonist"
Strauss and the Tome Poem
PART III: THE SYMPHONY IN THE MODERN ERA
Chapter 7 - The Early 20th Century
Debussy and the Transition to the Modern Era
The Unique Path of Sibelius
Chapter 8 - Masters of the 20th Century: From Ives to Shostakovich
Ives as Symphonic Iconoclast
Prokofiev and the Neo-Classical Style
The Changing Symphonic Face of Stravinsky
Hindemith and the Nazis
The Enigma of Shostakovich
Chapter 9 - Contemporary Views of the Symphony
20th-Century Reinterpretations of the Symphony: Messiaen, Penderecki, and Lutoslawski
Post-modern Symphonies and Gender Issues
PART I: THE CLASSICAL SYMPHONY
Chapter 1 - Origins of the Genre: From Pergolesi to Early Haydn
Pergolesi and the Italian Sinfonia
Stamitz and the Mannheim School; C.P.E. Bach and the Empfindsam Stil
Early Haydn
Chapter 2 - Maturation of the Genre: Haydn and Mozart
Haydn: From Servant to Entrepreneur
The Genius of Mozart
Chapter 3 - From Classicism to Romanticism
Beethoven and the Destruction of the Classical Style
Schubert and the First Signs of Romanticism
PART II: THE ROMANTIC SYMPHONY
Chapter 4 - The Romantic Generation: Tradition vs. the Avant-garde
Berlioz and the Romantic Revolution
Mendelssohn's Classical Romanticism
Tradition and Innovation in the Symphonies of Schumann
The Janus Face of Brahms
Liszt and the Symphonic Avant-garde
Chapter 5 - Musical Nationalism: Eastern Europe and Russia
The Politics of Nationalism in the Symphonies of Smetana and Dvöák
The "Mighty Five" and Tchaikovsky
Chapter 6 - The Late Romantic Symphony: Mahler and Strauss
Mahler as "Song-symphonist"
Strauss and the Tome Poem
PART III: THE SYMPHONY IN THE MODERN ERA
Chapter 7 - The Early 20th Century
Debussy and the Transition to the Modern Era
The Unique Path of Sibelius
Chapter 8 - Masters of the 20th Century: From Ives to Shostakovich
Ives as Symphonic Iconoclast
Prokofiev and the Neo-Classical Style
The Changing Symphonic Face of Stravinsky
Hindemith and the Nazis
The Enigma of Shostakovich
Chapter 9 - Contemporary Views of the Symphony
20th-Century Reinterpretations of the Symphony: Messiaen, Penderecki, and Lutoslawski
Post-modern Symphonies and Gender Issues
Chapter 1 - Origins of the Genre: From Pergolesi to Early Haydn
Pergolesi and the Italian Sinfonia
Stamitz and the Mannheim School; C.P.E. Bach and the Empfindsam Stil
Early Haydn
Chapter 2 - Maturation of the Genre: Haydn and Mozart
Haydn: From Servant to Entrepreneur
The Genius of Mozart
Chapter 3 - From Classicism to Romanticism
Beethoven and the Destruction of the Classical Style
Schubert and the First Signs of Romanticism
PART II: THE ROMANTIC SYMPHONY
Chapter 4 - The Romantic Generation: Tradition vs. the Avant-garde
Berlioz and the Romantic Revolution
Mendelssohn's Classical Romanticism
Tradition and Innovation in the Symphonies of Schumann
The Janus Face of Brahms
Liszt and the Symphonic Avant-garde
Chapter 5 - Musical Nationalism: Eastern Europe and Russia
The Politics of Nationalism in the Symphonies of Smetana and Dvöák
The "Mighty Five" and Tchaikovsky
Chapter 6 - The Late Romantic Symphony: Mahler and Strauss
Mahler as "Song-symphonist"
Strauss and the Tome Poem
PART III: THE SYMPHONY IN THE MODERN ERA
Chapter 7 - The Early 20th Century
Debussy and the Transition to the Modern Era
The Unique Path of Sibelius
Chapter 8 - Masters of the 20th Century: From Ives to Shostakovich
Ives as Symphonic Iconoclast
Prokofiev and the Neo-Classical Style
The Changing Symphonic Face of Stravinsky
Hindemith and the Nazis
The Enigma of Shostakovich
Chapter 9 - Contemporary Views of the Symphony
20th-Century Reinterpretations of the Symphony: Messiaen, Penderecki, and Lutoslawski
Post-modern Symphonies and Gender Issues