Triffin I. Morris, Gregory DL Morris, Rachel E. Pollock

A History of the Theatre Costume Business (eBook, PDF)

Creators of Character

• Format: PDF

Produktbeschreibung

A History of the Theater Costume Business is the first-ever comprehensive book on the subject, as related by award-winning actors and designers, and firsthand by the drapers, tailors, and craftspeople who make the clothes that dazzle on stage.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 222
• Erscheinungstermin: 30. September 2021
• Englisch
• ISBN-13: 9781351052337
• Artikelnr.: 62471610

Autorenporträt

Triffin I. Morris is head of the graduate costume production program at the University of North Carolina at Chapel Hill, Milly S. Barranger Distinguished Professor of the Practice, and costume director of PlayMakers Repertory Company. She has worked at Radio City Music Hall, Tricorne, Eric Winterling, the Metropolitan Opera, and many others, making costumes for Broadway shows, opera, and dance over a 20-year career. She worked on Harry Potter and the Cursed Child, Margaritaville, The Rockettes, Beautiful: The Carole King Musical, Wicked, Cinderella, Matilda, and Shrek among many others. She has worked with such designers as William Ivey Long, Paul Tazewell, Ann Roth, Jane Greenwood, Gregg Barnes, and Emelio Sosa.

Gregory DL Morris has 35 years' experience as a business journalist and historian, having reported from all 50 states, eight Canadian provinces, and 17 countries on five continents. He earned a BS in Journalism and Education, with a distinction in all subjects, from Cornell University. He is a second-generation native New Yorker, a member of the Overseas Press Club, and sits on the Editorial Board of the Museum of American Financial History, a Smithsonian Affiliate.

Rachel E. Pollock is costume crafts artisan and lecturer at the University of North Carolina at Chapel Hill. She was resident lead crafts artisan and dyer for the American Repertory Theatre at Harvard University, then worked in Los Angeles on film, television, and opera. She has served as a crafts artisan, dyer, and milliner for such designers as Catherine Zuber, Ann Hould-Ward, Ilona Somogyi, David Zinn, Constance Hoffman, and Julie Taymor. She has also worked as a dyer and first hand at the Broadway production house Parsons-Meares, Ltd. on shows such as Hamilton, Lion King, and Frozen.

Inhaltsangabe

1. Orientation: How Costumes Became a Business, and How it Works 2. A
Stitch in Time: The Early Designer-Drapers 3. Thread and Circuses: The Rise
and Fall of the Big Rental Shops 4. The Coming of the Continentals: Lighter
Hands for Ballet and Opera 5. Broadway as a Business: The Syndicate, The
Shuberts, and the Unions 6. The British Invasion: The Legacy of Ray Diffen
7. A Leading Lady Herself: Barbara Matera 8. Nights (And Weekends) on
Broadway: The Current Comercial Shops 9. Thoroughly Modern Milliners and
Makers: The Modern Atelier System 10. Angel Wings and Dancing Candlesticks:
Craft and Specialty Shops 11. Tinkers and Tailors: Old Machines Soldier On
and Can Be Spied in New Shops 12. West of 12th Avenue: Commercial Shops
Across North America