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This essential book covers the key areas for A Level Film Studies students, building confidence through a careful, step-by-step approach.
- Geräte: PC
- ohne Kopierschutz
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- Größe: 50.76MB
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This essential book covers the key areas for A Level Film Studies students, building confidence through a careful, step-by-step approach.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 504
- Erscheinungstermin: 10. Februar 2020
- Englisch
- ISBN-13: 9781000769852
- Artikelnr.: 58645917
- Verlag: Taylor & Francis
- Seitenzahl: 504
- Erscheinungstermin: 10. Februar 2020
- Englisch
- ISBN-13: 9781000769852
- Artikelnr.: 58645917
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Sarah Casey Benyahia is Head of Film Studies at Colchester Sixth Form College. She is the author of Crime (2011), 'Between Place and Non-Place: Disrupting the Categorizations of the Past in Ida' in S. Allen and K. Møllegaard (eds), Narratives of Place in Literature and Film (2019), and co-author of Doing Film Studies (2012).
John White is the author of Westerns (2011), European Art Cinema (2017), and The Contemporary Western: An American Genre Post-9/11 (2019). He is co-editor of The Routledge Encyclopedia of Films (2014).
Freddie Gaffney is a lecturer, screenwriter, and filmmaker. He is co-author of AS Film Studies: The Essential Introduction, 2nd edn (2008) and On Screenwriting (2009).
John White is the author of Westerns (2011), European Art Cinema (2017), and The Contemporary Western: An American Genre Post-9/11 (2019). He is co-editor of The Routledge Encyclopedia of Films (2014).
Freddie Gaffney is a lecturer, screenwriter, and filmmaker. He is co-author of AS Film Studies: The Essential Introduction, 2nd edn (2008) and On Screenwriting (2009).
Introduction: This is Film Studies
Part I: Film Form and Analysis
Chapter 1: Mise en scène
Chapter 2: Cinematography
Chapter 3: Editing
Chapter 4: Sound
Chapter 5: Performance
Part II: Theoretical Approaches and Critical Debates
Chapter 6: Narrative and Genre
Chapter 7: Representation and Ideology
Chapter 8: Spectatorship and Audience Studies
Chapter 9: Authorship
Chapter 10: Historical, Social, and Cultural Contexts
Part III: Hollywood and US Cinema
Chapter 11: Classic Hollywood, 1930-1960
Chapter 12: New Hollywood, 1961-1990
Chapter 13: Contemporary American Cinema
Part IV: National Cinemas, Global Cinema, and Arthouse Film
Chapter 14: Contemporary British Cinema
Chapter 15: European Film
Chapter 16: Global Film
Part V: Further Varieties of Film Experience
Chapter 17: Silent Cinema
Chapter 18: Experimental Film
Chapter 19: Documentary Film: Theory and Practice
Part VI: Understanding Film through Creative Practice
Chapter 20: Researching and Constructing a Short Film: Narrative
Construction
Index
Part I: Film Form and Analysis
Chapter 1: Mise en scène
Chapter 2: Cinematography
Chapter 3: Editing
Chapter 4: Sound
Chapter 5: Performance
Part II: Theoretical Approaches and Critical Debates
Chapter 6: Narrative and Genre
Chapter 7: Representation and Ideology
Chapter 8: Spectatorship and Audience Studies
Chapter 9: Authorship
Chapter 10: Historical, Social, and Cultural Contexts
Part III: Hollywood and US Cinema
Chapter 11: Classic Hollywood, 1930-1960
Chapter 12: New Hollywood, 1961-1990
Chapter 13: Contemporary American Cinema
Part IV: National Cinemas, Global Cinema, and Arthouse Film
Chapter 14: Contemporary British Cinema
Chapter 15: European Film
Chapter 16: Global Film
Part V: Further Varieties of Film Experience
Chapter 17: Silent Cinema
Chapter 18: Experimental Film
Chapter 19: Documentary Film: Theory and Practice
Part VI: Understanding Film through Creative Practice
Chapter 20: Researching and Constructing a Short Film: Narrative
Construction
Index
Introduction: This is Film Studies
Part I: Film Form and Analysis
Chapter 1: Mise en scène
Chapter 2: Cinematography
Chapter 3: Editing
Chapter 4: Sound
Chapter 5: Performance
Part II: Theoretical Approaches and Critical Debates
Chapter 6: Narrative and Genre
Chapter 7: Representation and Ideology
Chapter 8: Spectatorship and Audience Studies
Chapter 9: Authorship
Chapter 10: Historical, Social, and Cultural Contexts
Part III: Hollywood and US Cinema
Chapter 11: Classic Hollywood, 1930-1960
Chapter 12: New Hollywood, 1961-1990
Chapter 13: Contemporary American Cinema
Part IV: National Cinemas, Global Cinema, and Arthouse Film
Chapter 14: Contemporary British Cinema
Chapter 15: European Film
Chapter 16: Global Film
Part V: Further Varieties of Film Experience
Chapter 17: Silent Cinema
Chapter 18: Experimental Film
Chapter 19: Documentary Film: Theory and Practice
Part VI: Understanding Film through Creative Practice
Chapter 20: Researching and Constructing a Short Film: Narrative
Construction
Index
Part I: Film Form and Analysis
Chapter 1: Mise en scène
Chapter 2: Cinematography
Chapter 3: Editing
Chapter 4: Sound
Chapter 5: Performance
Part II: Theoretical Approaches and Critical Debates
Chapter 6: Narrative and Genre
Chapter 7: Representation and Ideology
Chapter 8: Spectatorship and Audience Studies
Chapter 9: Authorship
Chapter 10: Historical, Social, and Cultural Contexts
Part III: Hollywood and US Cinema
Chapter 11: Classic Hollywood, 1930-1960
Chapter 12: New Hollywood, 1961-1990
Chapter 13: Contemporary American Cinema
Part IV: National Cinemas, Global Cinema, and Arthouse Film
Chapter 14: Contemporary British Cinema
Chapter 15: European Film
Chapter 16: Global Film
Part V: Further Varieties of Film Experience
Chapter 17: Silent Cinema
Chapter 18: Experimental Film
Chapter 19: Documentary Film: Theory and Practice
Part VI: Understanding Film through Creative Practice
Chapter 20: Researching and Constructing a Short Film: Narrative
Construction
Index