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William Makepeace Thackeray's 'A Little Dinner at Timmins's' is a witty and satirical novel that delves into the intricacies of high society and social customs in 19th century England. Thackeray's writing style is sharp, perceptive, and filled with clever observations about human nature and the follies of the upper class. The book is set within the context of the Victorian era, highlighting the hypocrisy and vanity of the time. Thackeray's use of irony and humor keeps the reader engaged throughout the novel, making it a delightful and thought-provoking read. Thackeray, a prominent writer of…mehr

Produktbeschreibung
William Makepeace Thackeray's 'A Little Dinner at Timmins's' is a witty and satirical novel that delves into the intricacies of high society and social customs in 19th century England. Thackeray's writing style is sharp, perceptive, and filled with clever observations about human nature and the follies of the upper class. The book is set within the context of the Victorian era, highlighting the hypocrisy and vanity of the time. Thackeray's use of irony and humor keeps the reader engaged throughout the novel, making it a delightful and thought-provoking read. Thackeray, a prominent writer of his time, was known for his keen understanding of society and his ability to critique it through his literature. 'A Little Dinner at Timmins's' showcases Thackeray's talent for satire and his keen eye for detail, making him a master of social commentary. His own experiences and observations of society likely influenced the writing of this book. I highly recommend 'A Little Dinner at Timmins's' to readers who enjoy sharp wit, social satire, and insightful commentary on Victorian society. Thackeray's novel is a timeless classic that continues to entertain and provoke thought to this day.
Autorenporträt
William Makepeace Thackeray (1811 - 1863) was a British novelist and author. He is known for his satirical works, particularly Vanity Fair, a panoramic portrait of English society. Thackeray began as a satirist and parodist, writing works that displayed a sneaking fondness for roguish upstarts such as Becky Sharp in Vanity Fair and the title characters of The Luck of Barry Lyndon and Catherine. In his earliest works, written under such pseudonyms as Charles James Yellowplush, Michael Angelo Titmarsh and George Savage Fitz-Boodle, he tended towards savagery in his attacks on high society, military prowess, the institution of marriage and hypocrisy.