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The year is 1897 and France stands at the threshold of the tumultuous 20th century. Still smarting from the losses of the Franco-Prussian war, the army sees traitors under every bed while the government fears both the Germans and the anarchists. Socialists and monarchists, Republicans and conservatives argue bitterly over the future of the nation while a new mass media has emerged with rival political newspapers to fan the flames of conflict. Cheerfully oblivious to the partisan turmoil is bourgeois lawyer François Dubon. Once a bit of a radical himself, he has artfully constructed a…mehr

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Produktbeschreibung
The year is 1897 and France stands at the threshold of the tumultuous 20th century. Still smarting from the losses of the Franco-Prussian war, the army sees traitors under every bed while the government fears both the Germans and the anarchists. Socialists and monarchists, Republicans and conservatives argue bitterly over the future of the nation while a new mass media has emerged with rival political newspapers to fan the flames of conflict. Cheerfully oblivious to the partisan turmoil is bourgeois lawyer François Dubon. Once a bit of a radical himself, he has artfully constructed a well-ordered existence running a genteel law firm, inherited from his father. He is married to Geneviève, an aristocratic wife from a celebrated military family, with whom he shares a young son and a comfortable, if passionless, marriage. For passion, he has his generous mistress Madeleine, who expects his company promptly at five o'clock daily and is prettily piqued if he is late. Then it's home to oblige his wife with his presence at dinner and at their myriad social engagements. It is a good life. But Dubon's complacent existence is shattered when a mysterious widow arrives at his office. The beguiling Madame Duhamel entreats him to save a dear friend's innocent husband, an army captain by the name of Dreyfus who has been convicted as a spy. The widow's charms awaken his long-dormant radical streak, and Dubon agrees. Needing evidence to clear Dreyfus, Dubon pays a visit to the Statistical Section, a secretive bureau that he discovers is the seat of French espionage. Wearing his brother-in-law's military uniform in the hopes of blending in, Dubon gets more than he bargained for when mistaken for a temporary clerk. He soon finds himself spying on the spies, tantalizingly close to the documents that he's increasingly certain were forged to incriminate Dreyfus. Dubon begins to live a double life in order to crack this case, employing his affable demeanour to masquerade as a military intelligence officer by day, while by night he still frequents the high-society parties where the chattering class is much preoccupied with the Dreyfus Affair. The trouble is, Dubon can no longer avert his gaze from the ugliness that lurks beneath French society's veneer of civility. He comes to realize, at some personal jeopardy, that nobody is quite as they seem when power is at stake. The real-life Dreyfus affair was a seismic event in French history, exposing latent tyranny within its government and fierce anti-Semitism at all levels of society. With elegance, humour and keen perception, Kate Taylor brilliantly mines this rich source material in her page-turning historical spy novel, demonstrating how brittle a society's standards of justice and civility can be, in times of national panic.


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Autorenporträt
Kate Taylor is an award-winning novelist and an arts columnist at The Globe and Mail. The daughter of a Canadian diplomat, Taylor was born in France and raised in Ottawa and Europe. She studied history and art history at the University of Toronto, and completed a Masters in journalism at the University of Western Ontario in London, Ontario. Taylor worked at the London Free Press and Hamilton Spectator before joining the copy desk at The Globe and Mail in 1989. She became an arts reporter at that paper in 1991 and served as The Globe's authoritative and provocative theatre critic from 1995-2003, winning two Nathan Cohen Awards and a nomination for a National Newspaper Award. Since 2003, she has worked as a columnist, critic and feature writer in The Globe's arts section, with a special interest in cultural policy. In 2009 Taylor was awarded the prestigious Atkinson Fellowship in Public Policy for a project entitled Maple Leaf Rag: Canadian Cultural Sovereignty in the Digital Age, examining how a national culture can survive the forces of digitization and globalization. Taylor's debut 2003 novel Mme Proust and the Kosher Kitchen was a national bestseller, winning the Commonwealth Writers Prize for Best First Book (Canada-Caribbean region), The City of Toronto Book Award and the Canadian Jewish Book Award. A Man in Uniform is her second novel. She lives in Toronto with her husband and son. Of her decision to set both novels in Paris, Taylor says: "The experience of living in Paris and attending a French school as a teenager instilled in me a great affection for a beautiful city but also made me Canadian because, at a certain point, you have to choose where you belong. My first novel, Mme Proust and the Kosher Kitchen, was about the struggle to belong, about feeling torn between two worlds or two languages. It seems to me a very Canadian theme because we are a bilingual country and a country of immigrants. A Man in Uniform is set in Paris a little more coincidentally because the Dreyfus Affair happened to be an episode of French history that has always intrigued me. When I was researching my first novel I realized that it had the plot of a great detective novel."