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Excerpt: 'When Rodney Elmore was eleven years old, placards appeared on the walls announcing that a circus was coming to Uffham. Rodney asked his mother if he might go to it. Mrs. Elmore, for what appeared to her to be sufficient reasons, said 'No.' Three days before the circus was to come he went with his mother to Mrs. Bray's house, a little way out of Uffham, to tea. The two ladies having feminine mysteries to discuss, he was told to go into the garden to play. As he went he passed a little room, the door of which was open. Peeping in, as curious children will, something on a corner of the…mehr

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Produktbeschreibung
Excerpt: 'When Rodney Elmore was eleven years old, placards appeared on the walls announcing that a circus was coming to Uffham. Rodney asked his mother if he might go to it. Mrs. Elmore, for what appeared to her to be sufficient reasons, said 'No.' Three days before the circus was to come he went with his mother to Mrs. Bray's house, a little way out of Uffham, to tea. The two ladies having feminine mysteries to discuss, he was told to go into the garden to play. As he went he passed a little room, the door of which was open. Peeping in, as curious children will, something on a corner of the mantelpiece caught his eye. Going closer to see what it was, he discovered that there were two half-crowns, one on the top of the other. The desire to go to the circus, which had never left him, gathered sudden force. Here were the means of going. Whipping the two coins into the pocket of his knickerbockers, he ran from the room and into the garden.'

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Autorenporträt
English writer Richard Marsh (1857-1915) is most remembered for producing a large body of popular literature in the late 19th and early 20th century. He was born in England as Richard Bernard Heldmann and used the pen name "Richard Marsh" for his writing. When Marsh started writing in the 1880s, he was well known for his ability to write engrossing mysteries, suspense, and otherworldly stories. Although Marsh wrote in a variety of genres, such as science fiction, horror, mystery, and romance, his contributions to the Victorian and Edwardian ghost story tradition are arguably what made him most famous. His works frequently combined the macabre and the bizarre, drawing comparisons to other highly regarded writers of the day like Bram Stoker and H.G. Wells.