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A New Heaven and Earth
"In Scarcely more than a generation, millions of acres, as much as 90% of the mature forests in the southeastern United States, had been replaced by expanse of brush, weeds, scrub, and dead treetops"
The Encyclopedia of Appalachia
Near the end of the 19th century the Cumberland Plateau remains a primitive frontier. There are no railroads, no industry and few school. The only law is an eye for an eye and the blood feud. Its rugged mountains and Dark hollows hold a scattering of strong, independent people whose anger can be aroused at the slightest hint of insult…mehr

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Produktbeschreibung
A New Heaven and Earth
"In Scarcely more than a generation, millions of acres, as much as 90% of the mature forests in the southeastern United States, had been replaced by expanse of brush, weeds, scrub, and dead treetops"
The Encyclopedia of Appalachia

Near the end of the 19th century the Cumberland Plateau remains a primitive frontier. There are no railroads, no industry and few school. The only law is an eye for an eye and the blood feud. Its rugged mountains and Dark hollows hold a scattering of strong, independent people whose anger can be aroused at the slightest hint of insult and whose grudges can last for generations.
Into this virtually untouched wilderness comes conmen and gamblers and speculators, clear-cutting the virgin forest and enslaving the native people.
Into this upheaval comes a new religion. Some call it insane; others see it as the last hope of salvation.

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Autorenporträt
I was born and Raised in Michigan, the son of a Kentucky coal miner. Like thousands of others, my parents were forced to move from their home in the mountains when the coal mines modernized. Every long weekend or vacation found us on the long journey from the flatlands of southern Michigan to the mountains of Kentucky, My summers were spent in Harlan and Bell County, running around with my cousins and picking green beans in my grandmother garden. This is the root of my fascination and love of the south.
I would like to believe that my writing style was inspired by Steinbeck and Hemmingway. But the pulp detective novels of Mickey Spillane and Edward S. Aarons, which I devoured at much too young an age, probably had more to do with who I am as a writer.