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  • Format: ePub

After chemists crystallized a new chemical for the first time, it became easier and easier to crystallize in laboratories all over the world. After rats at Harvard first escaped from a new kind of water maze, successive generations learned quicker and quicker. Then rats in Melbourne, Australia learned yet faster. Rats with no trained ancestors shared in this improvement. Rupert Sheldrake sees these processes as examples of morphic resonance. Past forms and activities of organisms, he argues, influence organisms in the present through direct connections across time and space. Individual plants…mehr

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Produktbeschreibung
After chemists crystallized a new chemical for the first time, it became easier and easier to crystallize in laboratories all over the world. After rats at Harvard first escaped from a new kind of water maze, successive generations learned quicker and quicker. Then rats in Melbourne, Australia learned yet faster. Rats with no trained ancestors shared in this improvement. Rupert Sheldrake sees these processes as examples of morphic resonance. Past forms and activities of organisms, he argues, influence organisms in the present through direct connections across time and space. Individual plants and animals both draw upon and contribute to the collective memory of their species. Sheldrake reinterprets the regularities of nature as being more like habits than immutable laws. Described as 'the best candidate for burning there has been for many years' by Nature on first publication, this updated edition will raise hackles and inspire curiosity in equal measure.

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Autorenporträt
Dr Rupert Sheldrakeis a biologist and author of more than 80 scientific papers and ten books, including the bestselling Dogs That Know When Their Owners Are Coming Home. He was a Fellow of Clare College, Cambridge and a Research Fellow of the Royal Society. He haswritten for numerous newspapers including the Guardian, where he had a regular monthly column, and for a variety of magazines,including New Scientist and the Spectator.