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  • Format: ePub

What's the harm in a little white lie?
Especially when it could carry so much good-a new life for a wounded soldier, catharsis after long years of war, and an opportunity for lady composer Olivia Delancey to finally hear her music played in public.
Newspaper publisher Will Marsh hates lies. He refuses to compound the sins of his father's generation by taking money to print propaganda. But with the end of the wars in France and America, he needs something new to drive Londoners to grab his paper first. Why not publish the score of the "Tune That Took Waterloo", by a wounded vet, no…mehr

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Produktbeschreibung
What's the harm in a little white lie?

Especially when it could carry so much good-a new life for a wounded soldier, catharsis after long years of war, and an opportunity for lady composer Olivia Delancey to finally hear her music played in public.

Newspaper publisher Will Marsh hates lies. He refuses to compound the sins of his father's generation by taking money to print propaganda. But with the end of the wars in France and America, he needs something new to drive Londoners to grab his paper first. Why not publish the score of the "Tune That Took Waterloo", by a wounded vet, no less?

As Olivia struggles to keep her secrets from this unsuitably alluring publisher, and Will fights to find the truth without losing his hold on this bright-eyed angel who has descended into his life, both discover another sort of truth.

Being the talk of London can be bad-or very, very good.

Regency romantic historical novel, 83,750 words, sensual (heat level 2 of 4). London & Plymouth, 1815


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Autorenporträt
Nicky Penttila wrote her first story, a Mayan murder mystery, in seventh grade. But then came gymnastics, math team, and boyfriends. Later came husband, car payments, and a sleep-depriving work schedule at newspapers across the country. But the writing kept trickling out, a story here, a novella there, and finally, a real live novel. And she hasn't stopped.