This book draws on the work of anthropologist Alfred Gell to reinstate the importance of the object in art and society. Rather than presenting art as a passive recipient of the artist's intention and the audience's critique, the authors consider it in the social environment of its production and reception.
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'This book is at once penetrating and kaleidoscopic, full of exposition coupled with evocative ethnographic illustration. It extends Gell's ideas into new domains... The synthesis is extraordinary. Ranging across time and space and diversity of perspectives compared and contrasted, this volume will take its place alongside others-one thinks of The Savage Mind, Purity and Danger.'
- Frederick H. Damon, University of Virginia
- Frederick H. Damon, University of Virginia