F. Marion Crawford

A Rose of Yesterday (eBook, ePUB)

Love, Deceit, and Family Secrets in 19th Century Venice

• Format: ePub

Produktbeschreibung

In F. Marion Crawford's novel 'A Rose of Yesterday,' readers are transported to the late 19th century Venice as they follow the story of a young woman, Elena, who becomes entangled in a web of family secrets and forbidden love. Crawford's writing style is characterized by vivid descriptions of the Venetian setting and complex character relationships, offering readers a glimpse into the social norms and values of the time. The novel intertwines themes of love, deceit, and societal expectations, creating a compelling narrative that keeps readers captivated until the very end. 'A Rose of Yesterday' is a prime example of Crawford's ability to create immersive historical fiction that effortlessly transports readers to another era. F. Marion Crawford's own background as an American expatriate living in Italy likely inspired his intricate portrayal of Venetian society, adding depth and authenticity to the novel. Fans of historical fiction and classic literature will appreciate the rich storytelling and engaging characters found in 'A Rose of Yesterday', making it a must-read for anyone interested in the romanticism of the past.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Good Press
• Seitenzahl: 269
• Erscheinungstermin: 26. April 2021
• Englisch
• ISBN-13: 4064066098827
• Artikelnr.: 59239074

Autorenporträt

Francis Marion Crawford (1854 - 1909) was an American writer noted for his many novels, especially those set in Italy and for his classic weird and fantastic stories. H. Russell Wakefield, in an essay on ghost stories, called Crawford's "The Upper Berth" "the very best one" of such stories. Norman Douglas credits Crawford's financial success as instrumental in encouraging himself to write (though he remained critical of Crawford's habit of inserting first-person editorial comments into his fiction).